Synopsis
Johnny Vermillion’s theater troupe brings masterpieces to the Wild West. The four actors are versatile enough to wear many costumes and play many roles. A few props, a little makeup, a costume and--voilą--applause on the rugged frontier.
Johnny also arranges a special attraction for each town. While his actors bustle in and out of costumes, on and off the stage in many roles, one plays the villain in the bank. Then the actors take their curtain calls and railroad away.
Who? Us? Rob a bank? But you saw all of us on stage. When could we have done that?
A Pinkerton man becomes the troupe’s severest critic: He notices the news reports of stage performances one day and bank robberies the next. He follows the troupe, packing his suspicions. Finally, he sets a clever trap.
Johnny Vermillion is one of the most entertaining rogues ever to turn a dishonest dollar. Any audience will love a troupe that can transform A Midsummer Night’s Dream into grand larceny.
Johnny also arranges a special attraction for each town. While his actors bustle in and out of costumes, on and off the stage in many roles, one plays the villain in the bank. Then the actors take their curtain calls and railroad away.
Who? Us? Rob a bank? But you saw all of us on stage. When could we have done that?
A Pinkerton man becomes the troupe’s severest critic: He notices the news reports of stage performances one day and bank robberies the next. He follows the troupe, packing his suspicions. Finally, he sets a clever trap.
Johnny Vermillion is one of the most entertaining rogues ever to turn a dishonest dollar. Any audience will love a troupe that can transform A Midsummer Night’s Dream into grand larceny.
"synopsis" may belong to another edition of this title.
About the Author
LOREN D. ESTLEMAN, author of more than fifty books, is admired for both his novels of the West and his crime novels. A nominee for the National Book Award, he has won five Spur Awards. Estleman lives in Michigan with his wife, author Deborah Morgan.
Reviews
Every one of Estleman's more than 50 crime novels and westerns (Port Hazard, etc.) offers suspense, action, humor and plot twist, with the westerns all refreshingly devoid of formula horse opera antics. This one, set in 1873, is even funnier than most. Led by a handsome and charmingly slick con artist, Johnny Vermillion, the Prairie Rose Repertory Company performs Shakespeare onstage, and robs banks offstage. They are masters of disguise and role-playing and are more tricksters than anything else, but they've unwittingly cut in on the turf of Black Jack Brixton's Ace-in-the-Hole Gang, a murderous bunch who vow to wipe out their criminal competition. A resourceful Pinkerton detective gets on the trail of both outfits. Of course, four-time Spur Award–winner Estleman ensures that the actors, the outlaws and the detective will converge at the same location, in a final showdown filled with laughs and gunsmoke. (June)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
*Starred Review* Johnny Vermillion, operator and featured performer of the Prairie Rose Repertory Company, travels the Wild West putting on plays in towns like Lockjaw, Diablo, and Purgatory. But that's just his cover: in fact, he and his small troop are bank robbers. And when a determined Pinkerton agent tips to what Johnny has been up to, an all-out pursuit results, culminating in a wickedly clever trap. Once again, Estleman proves why he is among the best of our contemporary western novelists (he is no slouch as a mystery author, either). Johnny and his merry band of thieves are thoroughly delightful characters, a bunch of good-natured rogues, colorful without being cartoony. Estleman's tone is light and adventurous (there is definitely a touch of Butch Cassidy and the Sundance Kid here). This jaunty air is heightened by Estleman's mastery of a very dangerous narrative device--self-referential storytelling. By frequently breaking the wall that separates reader from writer--he refers, for example, to one character as "a fixture in outlaw tales of this type"--Estleman manages to bring us into the fun, as coconspirators (rather than simply jarring our narrative sensibilities). Set in "a West that should have been, but never quite was," this is, hands down, one of Estleman's best novels. As such, it will engage not just western devotees but readers of more meaty historical fiction as well. David Pitt
Copyright © American Library Association. All rights reserved
Excerpt. © Reprinted by permission. All rights reserved.
Chapter One
Most of what follows took place in the West.
Not just any West.
It was the West of legend and suckling-memory, where drifters caked head to heel with dust swilled red-eye whiskey at long mahogany bars, punching holes in the tin ceilings with their big Colts to impress their half-naked, quartz-eyed hostesses; where buffalo rolled thunder across gaunt desert, grass ocean, and the great mountain ranges where the earth showed its tusks, stopping only to splash in the wallows and scratch their burlap hides against the cowcatchers of the Central and Western Pacific and the mighty Atchison; where red-lacquer Concords barreled down the western face of the Divide, pulled by teams of six with eyes rolling white, whips cracking like Winchesters above their heads; where glistening black locomotives charged across trestles of latticework oak, burning scrubwood in greasy black streamers and blasting their arrogant whistles; where highwaymen in slouch hats and long dusters pulled bandannas up over their faces and stepped suddenly from behind boulders, firing at the sky and bellowing at shotgun messengers to throw up their hands and throw down the box; where all the towns were named Lockjaw and Busted Straight, Diablo and Purgatory and Spunk.
A West where gamblers wore linen and pomade and dealt aces from both sides of the deck and derringers from inside their sleeves; where cowboys ate beans and drank coffee around campfires to harmonica music, and everything was heavily seasoned with tin. At sunup, drowsy and stiff, the cowboys drove undulating herds of grumbling, lowing, high-strung longhorns past ridges where feathered warriors balanced their horses square on the edge, bows and lances raised against the sky while the brass section blared and kettle drums pounded. Gun battles cleared busy streets in a twinkling and bullets rang off piles of rock in the alkali flats with a p-tweeeeee!, kicking dust into the eyes of lawman and outlaw alike. The U.S. Cavalry was invincible, and bandits and gunfighters were celebrities, trailing battalions of paparazzi in brown derbies: Custer had yet to stand on his hill, Jesse to turn his back on Bob, and Wild Bill to draw his fabled hand. All the wagon trains came with concertinas, and all the undertakers and hangmen looked like John Carradine.
It was a West where prospectors, cotton-bearded and toothless, led mules over foothills riddled with shafts, Russian grand dukes shot buffalo from Pullman cars, bandidos wore their ammo belts crossed and flashed gold teeth in duplicitous grins and called everybody Gringo; where women baked bread in gingham and looked cute in buckskins and spilled like ripe peaches out of corsets and sequins and wore feathers in their hair. Train robbers shinnied up telegraph poles, tapped into the lines, and rapped out misleading messages to citizens' vigilance committees on the barrels of their six-shooters. Posses sprang up like cottonwoods, lynch mobs stormed jails, fiddlers played "Little Brown Jug" at church raisings, and legions of tin-tack piano players knew all the notes to "Buffalo Gals" by heart.
A West, this, where cattle barons gathered in clubs and railroad magnates sat in parlor cars to smoke cigars and plot mayhem; where assassins in their employ took target practice on grangers and Chinamen and shot at the heels of tenderfeet to make them dance. Where tall saguaro cactus grew everywhere, even places where it had never existed; where saloon mirrors were in inexhaustible supply and every bluebelly sergeant was named O'Hara and wore his hat brim turned up in front. Men rolled cigarettes and spat into cuspidors. Most of the lumber went into saloons and gallows and markers on Boot Hill.
Sam Grant was in Washington, soldiering his way through his troubled second term, chain-smoking General Thompsons, drinking Hermitage by the case, and wishing he'd never heard the name Bill Belknap. Lily Langtry was on tour. So were Lotta Crabtree and Jenny Lind, and Edwin Booth was performing as Prospero in Denver. Judges Bean and Parker adjudicated in Texas and the Indian Nations. Ned Buntline guzzled Old Gideon, philandered with married women, and wrote reams of frontier claptrap that sold millions in New York and San Francisco. Wyatt Earp was in Dodge City getting a tooth pulled by Doc Holliday. Chiefs Crazy Horse and Gall rested on the Powder River, watching old Sitting Bull smoking up dreams with a blend of open skepticism and hidden contempt. These things are matters of history and bear no direct application to our tale, but they help set the stage for the rip-roaring action to come.
It was a West of ruthless ranchers, patient housewives, crooked sheriffs, courageous pioneers, eager hellcats, leather-lung bullwhackers, scheming carpetbaggers, spinster schoolteachers, blacksmiths, gunsmiths, wheelwrights, farriers, dressmakers, swampers, grave diggers, and prostitutes with hearts of gold; also of ice and iron. One out of three men answered to Frank or Jack or Billy, regardless of whether his real name was Henry or Leander, the women all seemed to be either Sadie or Jane, and any cowpuncher worth his found knew which one to kiss and which to marry. Everyone seemed to walk around wearing a sandwich board advertising his or her true nature: card cheat, music-hall lecher, bushwhacker, army deserter, wife beater, husband poisoner, snake-oil merchant, newspaper rat, whiskey trader, reader of French novels. All wore the uniform of his station: the top hat tilted at a disreputable angle, the garish waistcoat, the rhinestone buckle on the pointed shoe, the leaded walking stick, the boots with flaps over the toes. But it was also the West of elaborate obfuscation. Dry-goods stores sold muffs with pistol pockets in the linings, spring-operated wrist holsters, and knife scabbards to be worn on lanyards around the neck. Unescorted women walked the streets in safety, but the theaters and ballrooms dripped with murder. It was possible to purchase arsenic in quantity and pistols small enough to conceal in the palm of one's hand. The West's reputation for politeness and hospitality was based on the threat of imminent death for transgressors.
It was the West also of rampant optimism. The consumptive in search of a cure, the criminal in quest of redemption, the failure in pursuit of a fresh start, the bigamist in flight from his wives; each found a fresh page upon which to start his journal anew. A world bereft of records, fingerprints, and the ubiquitous camera, and a blank amorphous map labeled the Great American Desert, offered panacea to a variety of ills. Not since Alexander fled the shadow of his father into the vast reaches of the Known World had our solitary planet so plainly beckoned to the wanderer to cast aside his burdens and press on.
It was the West of Daniel Boone, Kit Carson, and Billy the Kid; but it was also the West of William S. Hart, Roy Rogers, and John Wayne. It was big enough to encompass the bombastery of Buffalo Bill and Cecil B. DeMille and the skullduggery of the bloody brothers Harte.
This was Johnny Vermillion's West; a West that should have been, but never quite was.
Copyright © 2006 by Loren D. Estleman
Most of what follows took place in the West.
Not just any West.
It was the West of legend and suckling-memory, where drifters caked head to heel with dust swilled red-eye whiskey at long mahogany bars, punching holes in the tin ceilings with their big Colts to impress their half-naked, quartz-eyed hostesses; where buffalo rolled thunder across gaunt desert, grass ocean, and the great mountain ranges where the earth showed its tusks, stopping only to splash in the wallows and scratch their burlap hides against the cowcatchers of the Central and Western Pacific and the mighty Atchison; where red-lacquer Concords barreled down the western face of the Divide, pulled by teams of six with eyes rolling white, whips cracking like Winchesters above their heads; where glistening black locomotives charged across trestles of latticework oak, burning scrubwood in greasy black streamers and blasting their arrogant whistles; where highwaymen in slouch hats and long dusters pulled bandannas up over their faces and stepped suddenly from behind boulders, firing at the sky and bellowing at shotgun messengers to throw up their hands and throw down the box; where all the towns were named Lockjaw and Busted Straight, Diablo and Purgatory and Spunk.
A West where gamblers wore linen and pomade and dealt aces from both sides of the deck and derringers from inside their sleeves; where cowboys ate beans and drank coffee around campfires to harmonica music, and everything was heavily seasoned with tin. At sunup, drowsy and stiff, the cowboys drove undulating herds of grumbling, lowing, high-strung longhorns past ridges where feathered warriors balanced their horses square on the edge, bows and lances raised against the sky while the brass section blared and kettle drums pounded. Gun battles cleared busy streets in a twinkling and bullets rang off piles of rock in the alkali flats with a p-tweeeeee!, kicking dust into the eyes of lawman and outlaw alike. The U.S. Cavalry was invincible, and bandits and gunfighters were celebrities, trailing battalions of paparazzi in brown derbies: Custer had yet to stand on his hill, Jesse to turn his back on Bob, and Wild Bill to draw his fabled hand. All the wagon trains came with concertinas, and all the undertakers and hangmen looked like John Carradine.
It was a West where prospectors, cotton-bearded and toothless, led mules over foothills riddled with shafts, Russian grand dukes shot buffalo from Pullman cars, bandidos wore their ammo belts crossed and flashed gold teeth in duplicitous grins and called everybody Gringo; where women baked bread in gingham and looked cute in buckskins and spilled like ripe peaches out of corsets and sequins and wore feathers in their hair. Train robbers shinnied up telegraph poles, tapped into the lines, and rapped out misleading messages to citizens' vigilance committees on the barrels of their six-shooters. Posses sprang up like cottonwoods, lynch mobs stormed jails, fiddlers played "Little Brown Jug" at church raisings, and legions of tin-tack piano players knew all the notes to "Buffalo Gals" by heart.
A West, this, where cattle barons gathered in clubs and railroad magnates sat in parlor cars to smoke cigars and plot mayhem; where assassins in their employ took target practice on grangers and Chinamen and shot at the heels of tenderfeet to make them dance. Where tall saguaro cactus grew everywhere, even places where it had never existed; where saloon mirrors were in inexhaustible supply and every bluebelly sergeant was named O'Hara and wore his hat brim turned up in front. Men rolled cigarettes and spat into cuspidors. Most of the lumber went into saloons and gallows and markers on Boot Hill.
Sam Grant was in Washington, soldiering his way through his troubled second term, chain-smoking General Thompsons, drinking Hermitage by the case, and wishing he'd never heard the name Bill Belknap. Lily Langtry was on tour. So were Lotta Crabtree and Jenny Lind, and Edwin Booth was performing as Prospero in Denver. Judges Bean and Parker adjudicated in Texas and the Indian Nations. Ned Buntline guzzled Old Gideon, philandered with married women, and wrote reams of frontier claptrap that sold millions in New York and San Francisco. Wyatt Earp was in Dodge City getting a tooth pulled by Doc Holliday. Chiefs Crazy Horse and Gall rested on the Powder River, watching old Sitting Bull smoking up dreams with a blend of open skepticism and hidden contempt. These things are matters of history and bear no direct application to our tale, but they help set the stage for the rip-roaring action to come.
It was a West of ruthless ranchers, patient housewives, crooked sheriffs, courageous pioneers, eager hellcats, leather-lung bullwhackers, scheming carpetbaggers, spinster schoolteachers, blacksmiths, gunsmiths, wheelwrights, farriers, dressmakers, swampers, grave diggers, and prostitutes with hearts of gold; also of ice and iron. One out of three men answered to Frank or Jack or Billy, regardless of whether his real name was Henry or Leander, the women all seemed to be either Sadie or Jane, and any cowpuncher worth his found knew which one to kiss and which to marry. Everyone seemed to walk around wearing a sandwich board advertising his or her true nature: card cheat, music-hall lecher, bushwhacker, army deserter, wife beater, husband poisoner, snake-oil merchant, newspaper rat, whiskey trader, reader of French novels. All wore the uniform of his station: the top hat tilted at a disreputable angle, the garish waistcoat, the rhinestone buckle on the pointed shoe, the leaded walking stick, the boots with flaps over the toes. But it was also the West of elaborate obfuscation. Dry-goods stores sold muffs with pistol pockets in the linings, spring-operated wrist holsters, and knife scabbards to be worn on lanyards around the neck. Unescorted women walked the streets in safety, but the theaters and ballrooms dripped with murder. It was possible to purchase arsenic in quantity and pistols small enough to conceal in the palm of one's hand. The West's reputation for politeness and hospitality was based on the threat of imminent death for transgressors.
It was the West also of rampant optimism. The consumptive in search of a cure, the criminal in quest of redemption, the failure in pursuit of a fresh start, the bigamist in flight from his wives; each found a fresh page upon which to start his journal anew. A world bereft of records, fingerprints, and the ubiquitous camera, and a blank amorphous map labeled the Great American Desert, offered panacea to a variety of ills. Not since Alexander fled the shadow of his father into the vast reaches of the Known World had our solitary planet so plainly beckoned to the wanderer to cast aside his burdens and press on.
It was the West of Daniel Boone, Kit Carson, and Billy the Kid; but it was also the West of William S. Hart, Roy Rogers, and John Wayne. It was big enough to encompass the bombastery of Buffalo Bill and Cecil B. DeMille and the skullduggery of the bloody brothers Harte.
This was Johnny Vermillion's West; a West that should have been, but never quite was.
Copyright © 2006 by Loren D. Estleman
"About this title" may belong to another edition of this title.
Other Popular Editions of the Same Title
Search results for The Adventures of Johnny Vermillion
Stock Image
The Adventures of Johnny Vermillion
Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Seller rating 5 out of 5 stars
Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc. Seller Inventory # 00088638784
Stock Image
The Adventures of Johnny Vermillion
Published by
Doherty Associates, LLC, Tom, 2006
ISBN 10: 0765309149
ISBN 13: 9780765309143
Used
Hardcover
First Edition
Seller: Better World Books, Mishawaka, IN, U.S.A.
Seller rating 5 out of 5 stars
Condition: Good. 1st. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # GRP34538648
Stock Image
The Adventures of Johnny Vermillion
Published by
Doherty Associates, LLC, Tom, 2006
ISBN 10: 0765309149
ISBN 13: 9780765309143
Used
Hardcover
First Edition
Seller: Better World Books: West, Reno, NV, U.S.A.
Seller rating 5 out of 5 stars
Condition: Very Good. 1st. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # GRP63362236
Stock Image
The Adventures of Johnny Vermillion
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Seller rating 5 out of 5 stars
Hardcover. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0765309149I4N10
Stock Image
The Adventures of Johnny Vermillion
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Seller rating 5 out of 5 stars
Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0765309149I4N00
Stock Image
The Adventures of Johnny Vermillion
Seller: HPB-Emerald, Dallas, TX, U.S.A.
Seller rating 5 out of 5 stars
hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Seller Inventory # S_359161381
Stock Image
The Adventures of Johnny Vermillion
Seller: HPB-Movies, Dallas, TX, U.S.A.
Seller rating 4 out of 5 stars
hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Seller Inventory # S_471348284
Stock Image
The Adventures of Johnny Vermillion
Published by
Forge Books, 2006
ISBN 10: 0765309149
ISBN 13: 9780765309143
Used
Hardcover
First Edition
Signed
Seller: Garys Books-Log Cabin Books, Apache Junction, AZ, U.S.A.
Seller rating 5 out of 5 stars
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. First edition, First Printing. Signed by the author on the TITLE page. NOT inscribed, NOT REMAINDER marked. NOT ex library. NOT Book Club. Securely wrapped, dust jacket in protective cover and shipped in a box. Full # line starting with a 1. Fine/Fine. Signed by Author(s). Seller Inventory # ABE-1697480265064
Stock Image
The Adventures of Johnny Vermillion
Seller: Magus Books Seattle, Seattle, WA, U.S.A.
Seller rating 5 out of 5 stars
Hardcover. Condition: VG. Dust Jacket Condition: Very Good. used hardcover in a dust jacket. jacket is slightly worn about the edges, but with no tears and not price clipped. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws. Seller Inventory # 1234007
Stock Image
The Adventures of Johnny Vermillion
Seller: Willis Monie-Books, ABAA, Cooperstown, NY, U.S.A.
Seller rating 5 out of 5 stars
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Printing. 8.27 X 5.51 X 1.18 inches. Seller Inventory # 250168