Death and the Dervish is an acclaimed novel by Bosnian writer Mesa Selimovic. It recounts the story of Sheikh Nuruddin, a dervish residing in an Islamic monastery in Sarajevo in the eighteenth century during the Ottoman Turk hegemony over the Balkans. When his brother is arrested, he must descend into the Kafkaesque world of the Ottoman authorities in his search to discover what happened to him. He narrates his story in the form of an elaborate suicide note, regularly misquoting the Koran. In time, he begins to question his relations with society as a whole and, eventually, his life choices in general.
Hugely successful when published in the 1960s, Death and the Dervish is an enduring classic made into a feature length film in 1974.
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MESA SELIMOVIC (1910–1982) was born in Tuzla, Bosnia. A writer of numerous award-winning novels, including The Fortress, he was among the most popular novelists in Yugoslavia.
Lauded by the publisher for its contribution to understanding "the current crisis" in the former Yugoslavia, this tale of moral failure takes place at some undefined point during the Ottoman occupation of Muslim Bosnia. It was a bestseller when published in Yugoslavia in 1966, but it seems probable that its popularity lay more in its portrayal of a Yugoslavia oppressed than in any intrinsic artistry. Ahmed, the dervish of the title, has lived in religious seclusion for most of his life; his searching, self-centered and at times deranged internal dialogue constitutes most of this lengthy narrative. Selimovic (The Island; The Fortress) portrays a man hopelessly out of touch with himself and others, viciously in need of being right, secretly coveting power for himself. Groveling before authority, he knowingly betrays innocent people, yet rationalizes everything with perverted interpretations of the Koran. His brother's death, towards the beginning of the novel, and the near-destruction of the community's purest and most generous soul, by the end, enclose a tortuous psychological exposition of the perils of delusion and the ease with which fear destroys the most unyielding moral good. It is a probing portrait containing some valuable insights, yet with a character as insipid as Ahmed, it is hard to really care.
Copyright 1996 Reed Business Information, Inc.
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