The work of French Symbolist painter Odilon Redon has long been seen as a direct link between the 19th century and the development of modern art. Now Douglas W. Druick, Searle curator of European paintings at The Art Institute of Chicago, has gathered more than 500 color and black-and-white reproductions of the artist's well-known and more obscure works.
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As essential source for scholars and lovers of Redon, this marvelously illustrated biographical-critical study catalogs a traveling retrospective exhibit of the French symbolist's works. Drawing on recently released archival material, an international team of scholars led by exhibition curator Druick present evidence that Redon suffered from childhood epilepsy, which his parents attempted to conceal. Feeling unloved and rejected by his Creole mother, Redon, raised apart from his siblings, married Camille Falte, a nurturing, practical Creole from the island of Reunion in the Indian Ocean, a telegraph operator's daughter whom Redon, a rebel against his bourgeois class, idealized as a "daughter of the people." Redon's affiliation with Romantic artists, his friendships with Gauguin, Huysmans and Gide, and his role as mentor of Nabis Pierre Bonnard and Edouard Vuillard are explored in a major work that features many hitherto-unseen pictures from private collections among the 550 illustrations (including 160 color plates).
Copyright 1994 Reed Business Information, Inc.
Meticulous research by an international team of scholars,
complemented by magnificently reproduced illustrations, creates
an impressive portrait of the fin-de-siŠcle French artist Odilon
Redon (18401916).
Although Redon was once ranked with artists like Seurat and
Gauguin, he has lately received less attention than his peers--a
situation that the current retrospective at the Art Institute of
Chicago, which this volume explicates, should help redress. Redon
is best remembered today for his visionary monochromatic prints
and drawings. Among his most frequently exhibited pictures are
such fantastic dream images as an eye set within an ascending
balloon and a giant smiling spider poised at a jaunty angle. Many
public collections also display colorful pastel drawings of
flower bouquets from the latter part of his career. It has proven
difficult to explain his work according to the grand narratives
of art history. Redon was neither an impressionist nor a
modernist; even the label of symbolist threatens to assimilate
his works to literature and philosophy rather than grant them the
independence that their singularity demands. The authors, led by
the Art Institute's Druick, recontextualize Redon by carefully
unraveling his relationship to the romantic esthetics,
spiritualist theologies, and art-market imperatives of his time,
while offering a convincing psychoanalytic account of how his art
reflects his unhappy childhood, his difficult apprenticeship, and
his struggle to emerge from the shadow of his talented elder
brother. Dark clouds and landscapes from his early life mark his
noirs, they argue, but dissolve to reveal the no less mysterious,
but finally joyous, light and color of his last decades. Many
heretofore unknown full-color images brought to light by their
investigations give a fuller sense of the development of themes
in this late period.
A superb art book for aficionados of occult ideas, of the
graphic arts, or simply of striking images and effusive colors. -- Copyright ©1994, Kirkus Associates, LP. All rights reserved.
Redon's art infuses us with wonder, pleasure, and hope. He survived a bewildering and painfully lonely childhood to become a productive, fulfilled, and successful artist--a transformation chronicled in his work, which evolved from stark iconographic depictions of isolation and vulnerability to vibrant images of luminous fecundity. Redon (1840-1916) was an exceptional draftsman, lithographer, pastelist, painter, and decorator, as well as a late bloomer and a wholly original thinker who found inspiration in diverse forms of art and literature and in the revolutionary realms of psychology and science. His work has been sadly neglected since his first retrospective 100 years ago, but his second retrospective has proved to be an exciting and revelatory event, as evidenced by this superb volume. Under the direction of Douglas W. Druick, a curator at the Art Institute of Chicago, a select group of art historians carefully and intuitively trace Redon's fascinating personal history and extraordinary artistic achievements. Nearly 600 reproductions, many of works hitherto unknown to the public, support the text and delight the eye. Redon's compelling work bridged the centuries, forming a golden chain of rich symbolism, glorious romance, gentle mysticism, and sensual celebration. Donna Seaman
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Seller: Leabeck Books, Steventon, OXON, United Kingdom
Chicago: Art Institute of Chicago, in association with Harry N. Abrams, Inc., New York, 1994. First edition. 464p. 575 illustrations, 200 in colour. Published in conjunction with the exhibition held at the Art Institute of Chicago, 2 July - 18 Sept. 1994, and subsequently at the Van Gogh Museum, Amsterdam, and the Royal Academy of Arts, London. Essays by Douglas W. Druick, Peter Kort Segers, Fred Leeman, Maryanne Stevens, Kevin Sharp, Gloria Groom and Harriet K. Stratis. A near fine copy in a similar dust jacket. A heavy book which will incur extra postage, charged at cost. Seller Inventory # LBTS1957
Quantity: 1 available
Seller: Book Alley, Pasadena, CA, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: very good. A very good hardcover clothbound in mustard boards in a very good dust jacket with mylar sleeve. Some very light bumps to bottom edges of boards. No markings. Seller Inventory # mon0000740556
Seller: ANARTIST, New York, NY, U.S.A.
Hardcover with dustjacket, 464 pages; very good condition, except some light rubbing to dj; pages lightly yellowed at edges; no internal marks. Foreign shipping may be extra. Seller Inventory # OdReAr175
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Dust Jacket Condition: dj. First Edition. First edition and first printing. Hardcover. 464 pages. Massive monograph done for an exhibition that started in Chicago and then traveled to Amsterdam and London. Features text by Douglas W. Druick, Gloria Groom, Fred Leeman, Kevin Sharp, Maryanne Stevens, Harriet K. Stratis, and Peter Kort Zegers. Includes 575 illustrations with 200 plates in color. A clean and tight very near fine copy in cloth boards and in a very near fine dust jacket. A lovely copy of what remains one of the better books on Redon. This is a heavy and oversized book and will require extra shipping. Seller Inventory # 211365
Seller: Friends of the Multnomah County Library, Portland, OR, U.S.A.
Soft cover. Condition: Good. 1st Edition. Minor shelfwear to covers, particularly back cover, two corners turning up very slightly, one small chip out of front edge; otherwise a clean and sound copy of this book; no writing, highlighting, odors, stains, or folds. Proceeds from this sale benefit the Multnomah County Library in Portland, Oregon. This is not an ex-library book. Extra shipping charges may apply due to weight of book. Seller Inventory # ABE-1682376337023
Seller: Ethan Daniel Books, Toronto, ON, Canada
Hardcover. Condition: Near Fine. Beautifully designed and printed study of the French Symbolist painter. Profusely illustrated with 575 reproductions, including 200 colour plates. Yellow cloth covers with illustrated dust jacket. Very light bump to rear lower corners. Otherwise a fine copy with no marks or fading to inside pages and no noticeable signs of use. Binding is firm. 464 pages. s143. Seller Inventory # EDB05506
Quantity: 1 available
Seller: Round Table Books, LLC, Gurnee, IL, U.S.A.
Hard Cover. Condition: Fine. Dust Jacket Condition: Near Fine. Illustrated by Odilon Redon (illustrator). 1st Edition. First Printing. Publisher's full yellow linen, red lettering on spine. Beautifully designed and printed study of the French Symbolist painter to accompany the exhibition at The Art Institute of Chicago in 1994. Profusely illustrated with 575 reproductions, including 200 colour plates. The volume is in virtuallly perfect, pristine condition, unmarked, unread, tight, square and clean. The unclipped dust jacket shows only minor shelf-wear, else as new. FINE/NEAR FINE. Color and B&W illustrations. 4to 11" - 13" tall. 464 pp. Seller Inventory # 22447
Seller: De Boeken van Wouter, Amsterdam, NEDER, Netherlands
Please note: below is a general description of how we classify our condition types. If you would like a closer look or have any specific questions, please feel free to send us a message, and we will gladly check it for you. Condition descriptions: UsedlikeNew: Barely any signs of use, almost like new. UsedGood: May show some light signs of use, such as slight discoloration or a name written on the front endpaper, but generally no markings or notes in the text. UsedAcceptable: Book in acceptable condition. May show signs of use, such as some discoloration, reading creases in the spine, underlining, notes, slight dirt on edges, dog-eared pages, or a bent spine. New: Book is new. ZB 31-11 270624. Seller Inventory # 9780810937697
Quantity: 1 available
Seller: GoldBooks, Denver, CO, U.S.A.
Hardcover. Condition: new. New Copy. Customer Service Guaranteed. Seller Inventory # 15U98_32_0810937697
Seller: The Book House, Inc. - St. Louis, St. Louis, MO, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Very Good Hardcover with Very Good dustjacket Size: Folio. Seller Inventory # 221214-MB45