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Watts is investigating monsters. Gigantic deep sea monsters, surgically-altered-from-human monsters, faceless jellied-brain computer monsters--which monsters are human, which are more than human, which are less? Watts keeps the story line stripped down to showcase the theme of dehumanization. The anonymous millions who live along the unstable shore of N'AmPac come under threat (a triggered earthquake, and perhaps a disaster that's slower but even more pitiless) from their own dehumanized creations. But Watts is less interested in whether Lenie can save the dry world as in whether she can save herself. In Starfish, Watts stretches the boundaries of humanity up, down, and sideways to see whether its dimensions reveal anything we'd be proud to be a part of. --Blaise Selby
"Peter Watts bathes a gonzo, hopeless pessimism reminiscent of Philip K. Dick or Joanna Russ in the cold, edgy light of hard science fiction a la Benford, Bear, or Tiptree. In Starfish, Watts creates in his protagonist a poetry of dysfunction which is angry and eerily redemptive, and which makes compelling, almost compulsive reading." --Candas Jane Dorsey
"I read Starfish in several large gulps. The story drives like a futuristic locomotive. It's a hypnotic read, somber and compelling. Best thing I've read in a long time. Peter Watts is an author to watch for." --Robert Sheckley
"The dark universe of the sea bottom and the rich characterization captivate to the last page. Watts makes a brilliant debut with a novel that is part undersea adventure, part psychological thriller, and wholly original." --Booklist
"With gritty action and realistic science, Peter Watts brings to life a dark and vivid world." --David Brin
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