The American Southwest has shaped the lives and work of many artists and literary figures over the last century--Georgia O'Keeffe, D. H. Lawrence, N. Scott Momaday, to name a few--individuals unquestionably drawn to the unrivaled landscape, moved to express its beauty through the written word or through their art, and forever altered by the experience.
The survey of photographers and photography in the Southwest between 1870 and 1970 begins with Timothy O'Sullivan and other late nineteenth-century expedition photographers and ends with the color landscape photography of Eliot Porter. In between are Laura Gilpin's portraits of Navajos taken during the 1930s and the documentary images of rural Hispanic communities by Farm Security Administration photographers John Collier Jr. and Russell Lee in the 1940s.
James L. Enyeart, one of the nation's most distinguished curators and photographic historians, contemplates the common affinity for the landscape and cultural ambiance of the region by these visionary photographers, even though separated by style, intent, and time.
Nineteen photographers in all are represented--also including Ansel Adams, Paul Strand, Edward Weston--along with 102 photographs.
"synopsis" may belong to another edition of this title.
A photographer, scholar, and museum professional, Professor Emeritus James L. Enyeart served as director of George Eastman House in Rochester, New York; director of the Center for Creative Photography, University of Arizona, Tucson; director of the Friends of Photography; and curator of photography at the University of Kansas fine art museum. Throughout his career he has been the recipient of prestigious awards and grants including a Guggenheim Fellowship and many National Endowment for the Arts grants. He is the author of numerous books and now resides in Santa Fe, New Mexico.
"About this title" may belong to another edition of this title.
Seller: Magus Books Seattle, Seattle, WA, U.S.A.
Hardcover. Condition: VG. Dust Jacket Condition: Very Good. used hardcover in a dust jacket. jacket is slightly worn about the edges, but with no tears and not price clipped. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws. Seller Inventory # 1548897
Seller: Jonathan Grobe Books, Deep River, IA, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Exlibrary with usual library markings. ; 126 pages. Seller Inventory # 34314
Seller: H.S. Bailey, Fort Myers, FL, U.S.A.
Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st Edition. complete number line - 1st printing therefore 1st edition, Inscribed to a former owner and Signed on full title page, a touch of soiling/dusting to top edge of text block, dj shows very light wear - no tears, chips or creases, black & white and color photographs from many artists. Inscribed by Author(s). Seller Inventory # FSR-858-A
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Small square quarto. Hardcover. B&w illustrated jacket with white titles. xviii, 126 pages : illustrations (some color) ; 22 cm. The American Southwest has shaped the lives and work of many artists and literary figures over the last century -- Georgia O'Keeffe, D. H. Lawrence, N. Scott Momaday, to name a few -- individuals unquestionably drawn to the unrivaled landscape, moved to express its beauty through the written word or through their art, and forever altered by the experience. The survey of photographers and photography in the Southwest between 1870 and 1970 begins with Timothy O'Sullivan and other late nineteenth-century expedition photographers and ends with the color landscape photography of Eliot Porter. In between are Laura Gilpin's portraits of Navajos taken during the 1930s and the documentary images of rural Hispanic communities by Farm Security Administration photographers John Collier Jr. and Russell Lee in the 1940s. James L. Enyeart, one of the nation's most distinguished curators and photographic historians, contemplates the common affinity for the landscape and cultural ambiance of the region by these visionary photographers, even though separated by style, intent, and time. Nineteen photographers in all are represented -- also including Ansel Adams, Paul Strand, Edward Weston -- along with 102 photographs. VG/VG-. Some light soiling and wear to jacket. Signed by the author on the title page. Seller Inventory # 215283