Eugène Atget (1857-1927) spent nearly thirty years photographing details of often-inconspicuous buildings, side streets, cul-de-sacs, and public sculptures in his beloved Paris. Yet before his death, he was practically unknown outside of that city. His genius was first recognized about 1924 by two young Americans living and working in Paris, Man Ray and his studio assistant, Berenice Abbott, who recognized the elements of contradiction, ambivalence, and ambiguity in Atget's images of Parisian architecture, streets, and parks.
Presented in this volume are more than fifty of the Getty Museum's two hundred ninety-five pictures by Atget, with commentary on each image by Gordon Baldwin, associate curator of photographs at the J. Paul Getty Museum. In Focus: Eugène Atget also contains a chronological overview of his life and an edited transcript of a colloquium on his career, with participants Baldwin; David Featherstone, independent editor and curator; photographer Robbert Flick, professor of art at the University of Southern California; independent scholar David Harris; Weston Naef, curator of photographs, Getty Museum; Françoise Reynaud, curator of photographs at the Musée Carnavalet, Paris; and Michael S. Roth, associate director of the Getty Research Institute. This volume of the In Focus series is published to coincide with an exhibit of Atget's images from June 20 through October 18, 2000, at the Getty Museum.
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Eug ne Atget was a commercial photographer who spent 30 years producing more than 8000 pictures of Paris and its surrounding countryside before his death in 1927, when American photographer Berenice Abbott purchased his archives. Though he was unknown during his lifetime, his place in photography continues to grow; at times, he seems to be the Gallic brother of Walker Evans. Was Atget's aim to produce a kind of travel guide to a part of France he revered or to capture the elegance of places, courtyards, and gardens for wealthy clients? We will never know, but both of these books sum up the mystery of his intent and the serenity of his camera eye by describing his work as "enigmatic." Szarkowski, who may be our best navigator through images of lightDhe was director of the department of photography at MoMA from 1962 to 1991Dcarefully gathers 100 photographs, taking us through a sepia-toned era where Atget's silence abounds as he lovingly describes what the photographer captured. The Getty book, part of the museum's "In Focus" series, is less ambitious and might serve as a small but representative introduction to the special legacy of Atget. Useful descriptions accompanying each picture will help students, but the black-and-white reproduction and the two-column text make the images seem colder and the book less inviting than Szarkowski's sepia and margin-to-margin text. Where budgets allow, Szarkowski's approach to Atget is recommended, with the Getty version a second choice.DDavid Bryant, New Canaan Lib., CT
Copyright 2000 Reed Business Information, Inc.
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Paperback. Condition: Very Good. Parisian photographer Eugene Atget (1857-1927) set out to capture those commonplace features that were gradually disappearing from the city he loved. Only towards the end of his 30-year career was his genius recognized. This volume contains 50 Atget works with comprehensive captions and an edited colloquium on his life and work by seven scholars. Seller Inventory # 00107233902
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Paperback. Condition: Very Good. Parisian photographer Eugene Atget (1857-1927) set out to capture those commonplace features that were gradually disappearing from the city he loved. Only towards the end of his 30-year career was his genius recognized. This volume contains 50 Atget works with comprehensive captions and an edited colloquium on his life and work by seven scholars. Seller Inventory # CIN089236601XVG
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