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9780893817190: Manuel Alvarez Bravo: Photographs and Memories: Aperture 147
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Manuel Alvarez Bravo began photographing in 1924, during Mexico's thriving post-revolutionary artistic renaissance. His influences, from indigenous cultures to contemporary European trends, combined through his artistry to form a unique, transcendent vision rooted in the iconography of his country. While his early work embraced Mexico's urban realities, its peasants and workers, and its hauntingly beautiful landscape, Alvarez Bravo's ever-present acknowledgment of the macabre prompted André Breton, the leader of Surrealism in France, to claim him as an exponent of the movement.

Prolific, uncompromising, and committed to advancing the arts of his country, nevertheless, public recognition eluded Alvarez Bravo, even in Mexico, until the 1970s, when his photographs were exhibited at the Pasadena Art Museum in California and at New York's Museum of Modern Art, in 1971. But it was not until 1997 that his work became widely known through a definitive exhibit of 185 photographs at the Museum of Modern Art and the simultaneous publication by Aperture of Manuel Alvarez Bravo: Photographs and Memories.

Manuel Alvarez Bravo won his first award in 1931, and then decided to pursue photography as a career. He met André Breton in 1939, and his work was subsequently included in Surrealist exhibitions in Paris. In 1942, the Museum of Modern Art, New York, acquired their first works by Alvarez Bravo; in 1955, his photographs were included in Edward Steichen'sFamily of Man exhibition at MoMa. In 1959 Alvarez Bravo co-founded the Fondo Editorial de la Plástica Mexicana, with the goal of publishing books on Mexican art, which he co-directed until 1980, and from 1980 to 1986, he devoted his time to founding and developing the collection of the first Mexican Museum of Photography. Alvarez Bravo is the recipient of the Sourasky Art Prize (1974), the National Art Prize (Mexico, 1975), a John Simon Guggenheim Memorial Fellowship (1975), the Victor and Erna Hasselblad Prize (1984), and the International Center of Photography's Master of Photography Award (1987).

Manuel Alvarez Bravo: Photographs and Memories presents an intimate portrait of Mexico's revered photographer and, with his most beloved images, includes a selection of little-known work chosen with the photographer specifically for this classic monograph.

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About the Author:

Frederick Kaufman's writing has appeared in the New York Times Magazine, the Village Voice Literary Supplement, Gentlemen's Quarterly, Aperture, among numerous other publications. His novel, Forty-Two Days and Nights on the Iberian Peninsula with Anis Ladron, was published by Harcourt Brace Jovanovich in 1987. Kaufman often writes about Spain and Latin America.

Manuel Alvarez Bravo won his first award in 1931, and then decided to pursue photography as a career. He met André Breton in 1939, and his work was subsequently included in Surrealist exhibitions in Paris. In 1942, the Museum of Modern Art, New York, acquired their first works by Alvarez Bravo; in 1955, his photographs were included in Edward Steichen's Family of Man exhibition at MoMa. In 1959 Alvarez Bravo co-founded the Fondo Editorial de la Plástica Mexicana, with the goal of publishing books on Mexican art, which he co-directed until 1980, and from 1980 to 1986, he devoted his time to founding and developing the collection of the first Mexican Museum of Photography. Alvarez Bravo is the recipient of the Sourasky Art Prize (1974), the National Art Prize (Mexico, 1975), a John Simon Guggenheim Memorial Fellowship (1975), the Victor and Erna Hasselblad Prize (1984), and the International Center of Photography's Master of Photography Award (1987).

Review:

"The photography of Manuel Alvarez Bravo is Mexican by cause, form, and content, anguish is omnipresent and the atmosphere is supersaturated with irony."--Diego Rivera

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  • PublisherAperture Direct
  • Publication date1997
  • ISBN 10 0893817198
  • ISBN 13 9780893817190
  • BindingPaperback
  • Edition number1
  • Number of pages77
  • Rating

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Book Description Tapa Dura. Condition: New. La fotografía de Manuel Álvarez Bravo se presentó por primera vez a una audiencia internacional ende manera destacada en 1953, en el número 4 de Aperture. En ese momento, el editor de Aperture MinorWhite escribió sobre el fotógrafo: "Ve con gran facilidad. Un amigo escribe queuno tiene que ponerle anteojeras hasta que se alcanza el destino del día, o él está fuera depelícula antes de que él llegue allí".Ahora, cuarenta y cuatro años después, tenemos el honor de celebrar el nonagésimo quinto aniversario de Don Manuel.año (y el cuadragésimo quinto aniversario de Aperture) al continuar con la tradición de publicarnúmeros monográficos dedicados a la obra de los maestros fotógrafos de nuestro tiempo. Nosotros somosespecialmente afortunados de haber contado con la colaboración de Don Manuel y su esposa, ColetteÁlvarez Urbajtel (fotógrafa seria por méritopropio), en la selección de las imágenesquecomprenden Manuel Álvarez Bravo: fotografías y memorias."Ensayo de los recuerdos" de Frederick Kaufman, basado en extensas entrevistas que realizócon Don Manuel en 1996, fue un encargo especial para esta publicación. en su riquezaensayo descriptivo y perspicaz, Kaufman entreteje los recuerdos de Álvarez Bravo,información biográfica e historia de México con el fin de iluminar la historia della vida del fotógrafo en el contexto de una cultura compleja y en constante cambio. Book, Buch, Libro, Livre, Libro. No. Seller Inventory # 896d5cea-9ad8-3a52-6165-c646564ae49e

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