Henri Cartier-Bresson's writings on photography and photographers have been published sporadically over the past 45 years. His essays—several of which have never before been translated into English—are collected here for the first time. The Mind's Eye features Cartier-Bresson's famous text on "the decisive moment" as well as his observations on Moscow, Cuba and China during turbulent times. These essays ring with the same immediacy and visual intensity that characterize his photography.
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Henri Cartier-Bresson was born in France in 1908. He studied painting and then began to photograph in the early 1930s. After escaping from prison camp in 1943, he made portraits of artists, covered the liberation of Paris and filmed a documentary on the return of war prisoners. In 1947, the year he had his first show at MoMA, he also founded Magnum Photos with Robert Capa, George Rodger and David Seymour. Not long after, he began in earnest the life of a traveling photographer, working in India, Burma, Pakistan, Indonesia, China, Japan, Mexico and Cuba. His first, defining book The Decisive Moment was published by Teriade in 1952. By the late 60s, he had almost ceased making reportage to re-embrace his first passion, drawing. Cartier-Bresson created his Foundation in Paris in 2003, and passed away in 2004.
Henri Cartier-Bresson was born in France in 1908. He studied painting and then began to photograph in the early 1930s. After escaping from prison camp in 1943, he made portraits of artists, covered the liberation of Paris and filmed a documentary on the return of war prisoners. In 1947, the year he had his first show at MoMA, he also founded Magnum Photos with Robert Capa, George Rodger and David Seymour. Not long after, he began in earnest the life of a traveling photographer, working in India, Burma, Pakistan, Indonesia, China, Japan, Mexico and Cuba. His first, defining book "The Decisive Moment" was published by Teriade in 1952. By the late 60s, he had almost ceased making reportage to re-embrace his first passion, drawing. Cartier-Bresson created his Foundation in Paris in 2003, and passed away in 2004.
Supremely accomplished and influential French photographer Cartier-Bresson guided the evolution of the photographic medium while creating an enormous body of work. His photographs of people, famous and obscure, always contain a strong psychological component deriving from formally perfect compositions and a temporal ambivalence that characterizes only the most powerful static images. This slight book contains short essays by Cartier-Bresson along with some less interesting aesthetic epigrams and tributes to fellow artists. This is the first published collection of his writings, though large chunks are taken from books he published in the 1950s and 1960s. And while there's not a great deal of his writings to be collected, what's here is pithy and laconic without being sententious. His artistic philosophy is well captured by his landmark 1952 essay "The Decisive Moment," contained here, probably the most poetically instructive evocation of the field photographer's art yet written. This is a useful and important title from one of the defining sets of eyes in the cumulative visual record of the 20th century. Recommended for academic and large public libraries.DDouglas F. Smith, Oakland P.L., CA
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