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Eugene O'Neill : Complete Plays 1920-1931 (Library of America) - Hardcover

 
9780940450493: Eugene O'Neill : Complete Plays 1920-1931 (Library of America)
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The Library of America’s collection of Eugene O’Neill’s plays “displays O’Neill more thoroughly than any playhouse ever could,” according to Time magazine. This volume, the second of three, contains thirteen plays written between 1920 and 1931, years in which O’Neill achieved his greatest popularity while experimenting with a wide variety of subjects and styles.

In Diff’rentThe First Man, and Welded, egotistical characters have their illusions about love shaken by the force of other people’s desires. All God’s Chillun Got Wings depicts the web of racial hatreds and spiritual longings that surround the marriage of a black man and a white woman.

The Fountain tells of Ponce de Leon’s search for the fountain of youth. Marco Millions satirizes American materialism by portraying Marco Polo as a hustling businessman blind to the riches of Eastern culture. Lazarus Laughed shows its Biblical hero preaching love, laughter, and the defeat of death.

The stoker Yank in The Hairy Ape, the architect Dion Anthony in The Great God Brown, and the minister’s son Reuben Light in Dynamo all try to find a place for themselves in an increasingly soulless and mechanistic world. Yank believes that he “belongs” in his stokehold until a terrified heiress calls him a “filthy beast.” His rage turns to despair as he encounters a brutally indifferent society onshore. The Great God Brown uses masks to depict the divided souls of its hero, his wife, and his alter ego, the successful businessman William Brown. Betrayed by his mother, Reuben Light forsakes the God of his father for the new electrical god of the dynamo but finds no escape from the sexual conflicts that O’Neill characteristically intertwines with his hero’s religious doubts.

Strange Interlude follows its heroine Nina Leeds through nine acts and twenty-five years of passionate and painful involvement with three men. Inspired by contemporary psychology, the novels of James Joyce, and the soliloquies of the Elizabethan theater, O’Neill uses spoken asides to reveal the shifting flow of his character’s inner thoughts. His most commercially successful play, it won him his third Pulitzer Prize.

Ephraim Cabot, the patriarchal farmer in Desire Under the Elms, believes in a God as hard as the stony ground he works. He takes as his third wife sensual Abbie Putnam, who covets both his land and his resentful son Eben, unleashing passions that move with stark inexorability toward their fulfillment. In Mourning Becomes Electra, murderous lusts and hatreds wreak havoc upon the proud Mannon family, leaving the survivors pursued not by the avenging Furies of Greek myth but by their own scourging consciences. Searching desperately for peace, they repeatedly confront the temptation to choose oblivion that will haunt many of O’Neill’s last plays.

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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About the Author:
Eugene O'Neill (1888-1953) is one of the most significant forces in the history of American theater. With no uniquely American tradition to guide him, O'Neill introduced various dramatic techniques, which subsequently became staples of the U.S. theater. By 1914 he had written twelve one-act and two long plays. Of this early work, only Thirst and Other One-act plays (1914) was originally published. From this point on, O'Neill's work falls roughly into three phases: the early plays, written from 1914 to 1921 (The Long Voyage Home, The Moon of the Caribbees, Beyond the Horizon, Anna Christie); a variety of full-length plays for Broadway (Desire Under the Elms; Great God Brown; Ah, Wilderness!); and the last, great plays, written between 1938 and his death (The Iceman Cometh, Long Day's Journey Into Night, A Moon for the Misbegotten). Eugene O'Neill is a four-time Pulitzer Prize winner, and he was awarded the Nobel Prize in literature in 1936.

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  • PublisherLibrary of America
  • Publication date1988
  • ISBN 10 0940450496
  • ISBN 13 9780940450493
  • BindingHardcover
  • Number of pages1092
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Slipcased. Condition: New. First edition. First printing of the subscription edition in green cloth and cream colored slipcase, without dustjacket as issued, distributed prior to the retail edition in black dustjacket Travis Bogard wrote the notes and selected the texts. Includes chronology and attached ribbon bookmark. Seller Inventory # 11916

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Hardcover. Condition: New. 1st Edition. GREATNESS !!! FUNDAMENTAL: NEW Library of America First Edition (orig.1988) First Printing hardcover, NEW LOA slipcase w/ double-ruled gilt borders & LOA-logo gilt-stamped on front panel & w/ sharp NEW edges & corners, NEW British-green Brillianta silk-finish rayon-weave fabric-over-boards cover w/ sharp NEW edges & corners & titles & LOA colophon handsomely gold-stamped on spine, IMMACULATE smooth-cut text-block exterior, IMPECCABLE white-on-green LOA-patterned card-stock end-papers, PRISTINE interior printed in remarkably clear 10-point Linotron Galliard on SUPERB Ecusta Nyallite paper * 5.0" x 8.12" x 1.48", 0.72 kg, 1092 pp Slipcase: 5.36 x 8.50" x 1.58", 0.82 kg, 1092 pp * CONTENTS: Complete Plays 1920-31: Diff'rent (1), The First Man (55), The Hairy Ape (119), The Fountain (165), Welded (233), All Got's Chillun Got Wings (277), Desire Under the Elms (317), Marco Millions (379), The Great God Brown (469), Lazarus Laughed (537), Strange Interlude (629), Dynamo (819), Mourning becomes Electra (887); Chronology (1055), Note on the Texts (1077), Notes (1083) * ABOUT THE BOOK: Eugene O'Neill (1888-1953) is one of the most significant forces in the history of American theater. With no uniquely American tradition to guide him, O'Neill introduced various dramatic techniques, which subsequently became staples of the U.S. theater. By 1914 he had written 12 one-act and 2 long plays. Of this early work, only "Thirst and Other One-act plays" (1914) was originally published. From this point on, O'Neill's work falls roughly into 3 phases: the early plays, written from 1914 to 1921 ("The Long Voyage Home", "The Moon of the Caribbees", "Beyond the Horizon", "Anna Christie"); a variety of full-length plays for Broadway ("Desire Under the Elms"; "Great God Brown"; "Ah, Wilderness!"); & the last, great plays, written between 1938 & his death ( "The Iceman Cometh", "Long Day's Journey Into Night", "A Moon for the Misbegotten"). Eugene O'Neill is a 4-time Pulitzer Prize winner, & he was awarded the Nobel Prize in literature in 1936. * THE LIBRARY OF AMERICA is an award-winning, nonprofit program dedicated to publishing America's best & most significant writing in handsome, enduring volumes, featuring authoritative texts. Hailed as "the most important book-publishing project in the nation's history" (Newsweek), this acclaimed series is restoring America's literary heritage in "the finest-looking, longest-lasting edition ever made" (New Republic). * SHIPPING: MNEMOSYNE carefully wraps, labels & custom-packages this fine book for FREE domestic shipment via USPS MEDIA MAIL or USPS PRIORITY MAIL for a nominal additional fee & via efficient USPS FIRST CLASS MAIL to all international shipments at our posted rates. Seller Inventory # 010361

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Hardcover. Condition: New. The Library of Americas collection of Eugene ONeills plays displays ONeill more thoroughly than any playhouse ever could, according to Time magazine. This volume, the second of three, contains thirteen plays written between 1920 and 1931, years in which ONeill achieved his greatest popularity while experimenting with a wide variety of subjects and styles.In Diffrent, The First Man, and Welded, egotistical characters have their illusions about love shaken by the force of other peoples desires. All Gods Chillun Got Wings depicts the web of racial hatreds and spiritual longings that surround the marriage of a black man and a white woman.The Fountain tells of Ponce de Leons search for the fountain of youth. Marco Millions satirizes American materialism by portraying Marco Polo as a hustling businessman blind to the riches of Eastern culture. Lazarus Laughed shows its Biblical hero preaching love, laughter, and the defeat of death.The stoker Yank in The Hairy Ape, the architect Dion Anthony in The Great God Brown, and the ministers son Reuben Light in Dynamo all try to find a place for themselves in an increasingly soulless and mechanistic world. Yank believes that he belongs in his stokehold until a terrified heiress calls him a filthy beast. His rage turns to despair as he encounters a brutally indifferent society onshore. The Great God Brown uses masks to depict the divided souls of its hero, his wife, and his alter ego, the successful businessman William Brown. Betrayed by his mother, Reuben Light forsakes the God of his father for the new electrical god of the dynamo but finds no escape from the sexual conflicts that ONeill characteristically intertwines with his heros religious doubts.Strange Interlude follows its heroine Nina Leeds through nine acts and twenty-five years of passionate and painful involvement with three men. Inspired by contemporary psychology, the novels of James Joyce, and the soliloquies of the Elizabethan theater, ONeill uses spoken asides to reveal the shifting flow of his characters inner thoughts. His most commercially successful play, it won him his third Pulitzer Prize.Ephraim Cabot, the patriarchal farmer in Desire Under the Elms, believes in a God as hard as the stony ground he works. He takes as his third wife sensual Abbie Putnam, who covets both his land and his resentful son Eben, unleashing passions that move with stark inexorability toward their fulfillment. In Mourning Becomes Electra, murderous lusts and hatreds wreak havoc upon the proud Mannon family, leaving the survivors pursued not by the avenging Furies of Greek myth but by their own scourging consciences. Searching desperately for peace, they repeatedly confront the temptation to choose oblivion that will haunt many of ONeills last plays.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nations literary heritage by publishing, and keeping permanently in print, Americas best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries. Seller Inventory # DADAX0940450496

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