Fine in fine dust jacket. Hardcover first edition - New York:: Cornerhouse Publications, , (1992). Hardcover first edition -. Fine in fine dust jacket.. First printing. A thought-provoking book which reveals family life through the personal family pictures - in both full color and black and white - of many of the world's finest photographers. Among the 66 photographers whose work is included are Tina Barney, Bill Burke, Raymond Depardon, Elliott Erwitt, Ralph Gibson, Emmet Gowin, David Hockney, Annie Leibovitz, Sally Mann, Mary Ellen Mark, Sheila Metzner, Joel Meyerowitz, Eugene Richards, Stephen Shore, Clarissa T. Sligh, Larry Sultan, Carrie M. Weems, and William Wegman. Includes introductory essays by Ann Beattie and Andy Grundberg, as well as brief comments by some of photographers on the images themselves. Notes on photographers. Large square format. 192 pp.
"synopsis" may belong to another edition of this title.
"Marvelously complex...funny, disturbing, but somehow familiar." -- The Los Angeles Times Magazine
"Powerful." -- The New Yorker
"This collection of incredibly intimate photographs contains an amazing assortment of images: erotic, spooky, sweet, sad and just outright astonishing." -- San Francisco Chronicle
NEW BOOK FOCUSES ON REAL LIFE
There are a lot of gorgeous new coffee table books on the market these days- beautiful tomes featuring exquisite reproductions on such esoteric topics as barns, period finishes and tulips. One is even devoted to the subject of blue and white rooms. Interesting, maybe, but not exactly the kind of thing that's going to liven up the ol' living room.
Then there's "Flesh and Blood-Photographer' Images of Their Own Families," edited by Alice Rose George, Abigail Heyman and Ethan Hoffman. This collection of incredibly intimate photographs, with essays by Ann Beattie and Andy Grundberg, makes Madonna's highly hyped new book seem like even more of a bust, because it contains an amazing assortment of images erotic, spooky, sweet, sad and just outright astonishing.
Perhaps the most shocking is the series from Donald Dietz, who photographed his father lying dead at the bottom of the stairs, in the coffin at his funeral and, finally, as a pile of cremated ashes.
There are plenty of bathtub shots, of course, but with charming twists, especially Hoffman's shot of his soaped-up brother with wife and baby. And the nudes are extraordinary, whether it's a young girl swinging on the legs of a dining room table or the darling "Where Niki Got His Red Hair" by Nicholas DeVore III.
Most of these photos have not been overly exposed in other books or shows, and the ones that are familiar, such as Doug DuBois' "Lise, Christmas Eve, 1985" come with text that causes one to look at them in an altogether new way.
DuBois' photos show a family falling apart and then coming together again- they're photographic evidence of the fragile yet enduring bonds of family.
"Flesh and Blood" is bound to raise some eyebrows. Leave this one out when the guests drop by, and you'll probably see some interesting developments. -- Liz Lufkin, San Francisco Chronicle, Nov. 18, 1992.
With self-conscious invasiveness, 66 expert photographers, including Annie Liebowitz, Tony Mendoza, Mary Ellen Mark and Joel Meyerowitz, focus on their parents, siblings, spouses and children in this unsettling, often arch and excessively postured composite family album. Nudity and specialty arrangements abound, as in Patrick Zachmann's shot of a pregnant woman lying in a bathtub, a cartoon embryo drawn on her belly. David Hockney's assemblage The Scrabble Game and Carrie M. Weems's unstudied views of her sisters possess an authority and verve less convincingly demonstrated in many other, artfully posed and cropped, contributions. While Grundberg, chief curator of the Friends of Photography/Ansel Adams Center in San Francisco, suggests the photographers are "honest with their feelings and free with their medium," there remains an exploitative quality to many of these shots--in color or black-and-white--that undermines their authenticity and emotionality. Accompanying commentary by some photographers often provides valuable context.
Copyright 1992 Reed Business Information, Inc.
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Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0948797223I4N00
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Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0948797223I4N00
Seller: Better World Books, Mishawaka, IN, U.S.A.
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Seller: Reuseabook, Gloucester, GLOS, United Kingdom
hardcover. Condition: Used; Very Good. Dispatched, from the UK, within 48 hours of ordering. Though second-hand, the book is still in very good shape. Minimal signs of usage may include very minor creasing on the cover or on the spine. Seller Inventory # CHL10840349
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Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1250grams, ISBN:9780948797224. Seller Inventory # 5833914
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hardcover. Condition: Good. Dust Jacket Condition: Acceptable. First Edition. Some staining to boards. D/J heavily creased to top edge with several tears. Previous owners signature to ffep. Seller Inventory # 724262
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Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Dust jacket in protective sleeve. Seller Inventory # 000374
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hardcover. Condition: New. In shrink wrap. Looks like an interesting title! Seller Inventory # Q-0948797223