Items related to Artifacts (Faye Longchamp Mysteries)
[Read by Cassandra Campbell]
Faye Longchamp has lost nearly everything, except for her quick mind and a grim determination to keep her ancestral home, Joyeuse, a moldering plantation hidden along the Florida coast. No one knows how Faye's great-great-grandmother Cally, a newly freed slave barely out of her teens, came to own Joyeuse in the aftermath of the Civil War. No one knows how her descendants hung on to it through Reconstruction, world wars, the Depression, and Jim Crow, but Faye has inherited the island plantation -- and the family tenacity.
When the property taxes rise beyond her means, Faye sets out to save Joyeuse by digging for artifacts on her property and the surrounding national wildlife refuge and selling them on the black market. A tiny bit of that dead glory would pay a year's taxes, and a big, valuable chunk of the past would save her home forever. But instead of potsherds and arrowheads, she uncovers a woman's shattered skull, a Jackie Kennedy-style earring nestled against its cheek bone. Faye is torn. If she reports her find, she'll reveal her illegal livelihood, thus risking jail and the loss of Joyeuse. She doesn't intend to let that happen, so she probes into the dead woman's history herself, unaware that the past is rushing toward her like a hurricane across deceptively calm Gulf waters.
Faye Longchamp has lost nearly everything, except for her quick mind and a grim determination to keep her ancestral home, Joyeuse, a moldering plantation hidden along the Florida coast. No one knows how Faye's great-great-grandmother Cally, a newly freed slave barely out of her teens, came to own Joyeuse in the aftermath of the Civil War. No one knows how her descendants hung on to it through Reconstruction, world wars, the Depression, and Jim Crow, but Faye has inherited the island plantation -- and the family tenacity.
When the property taxes rise beyond her means, Faye sets out to save Joyeuse by digging for artifacts on her property and the surrounding national wildlife refuge and selling them on the black market. A tiny bit of that dead glory would pay a year's taxes, and a big, valuable chunk of the past would save her home forever. But instead of potsherds and arrowheads, she uncovers a woman's shattered skull, a Jackie Kennedy-style earring nestled against its cheek bone. Faye is torn. If she reports her find, she'll reveal her illegal livelihood, thus risking jail and the loss of Joyeuse. She doesn't intend to let that happen, so she probes into the dead woman's history herself, unaware that the past is rushing toward her like a hurricane across deceptively calm Gulf waters.
"synopsis" may belong to another edition of this title.
From the Author:
I have always had a guilty passion for antebellum Southern domestic architecture, particularly in remote areas of the Deep South where traditional building materials of the time, like stone and cast iron and exotic wood, weren’t available and had to be "faked" by the use of carved cypress, handmade bricks, even mud and Spanish moss. The problem with these audacious homes is obvious: they were built by slave labor. I wanted to write a book that featured such a house—that gave it the status almost equal to that of the human characters. But how would any reader sympathize with a character who had inherited a mansion built by prisoners? Well, if the mansion was one step away from utter ruin and its owner was a descendant of the slaves that built it, maybe a reader would indeed care what happened to them. And that is how Faye and Joyeuse were born.
About the Author:
I did not intend Artifacts to have a strong romantic theme, so I created Joe to be the ideal sidekick for an independent woman. Kind, strong, and, yes, good-looking, but not Faye’s type. In my experience, intelligent women are attracted to intelligent men, so Joe was intended to be Faye’s true friend, but only that. Yet many people, women and men, have demanded to know why she doesn’t date him. Heck, most of them think she should marry him on the spot. I think Joe took on a life of his own as I wrote Artifacts, and every writer dreams of finding a character like that. He is more than I intended him to be. Will Faye ever notice his stellar qualities? That, my friends is another story—and another book (or two or three) entirely.
Mary Anna Evans, award-winning author of the 'Faye Longchamp' mysteries, has degrees in physics and engineering, but her heart is in the past. Her books have found an unexpected home in schools, and when she's not writing novels, she works with elementary teachers to develop ways to use popular fiction to teach math, science, and history.
"About this title" may belong to another edition of this title.
- PublisherBlackstone Audiobooks
- Publication date2012
- ISBN 10 1470846128
- ISBN 13 9781470846121
- BindingAudio CD
- Number of pages11
- Rating
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