Jackson Pollock (Modern Masters Series, 3) - Softcover

Frank, Elizabeth

Softcover

ISBN 10: 1558592547 ISBN 13: 9781558592544

Publisher: Abbeville Press, 1983

Synopsis

Jackson Pollock (1912–1956) revolutionized the art of this century with his famous "pouring paintings" of the late 1940s and early '50s. No artist of our time has been more controversial, and Pollock's reputation as the archetypal Abstract Expressionist has assumed mythic overtones. The balanced evaluation presented in this well-reasoned overview is long overdue.

About this title

Review:

The almost mythic Jackson Pollock--a roughshod, ill-mannered, prodigiously ambitious, aggressive, alcoholic, tormented artist--is alive and unwell in this book. But Kirk Varnedoe and Pepe Karmel, the chief curator and adjunct assistant curator, respectively, of the Museum of Modern Art's Department of Painting and Sculpture, also go deeply into Pollock's art in eye-opening ways. This book is the catalog for the retrospective of Pollock's art-shattering oeuvre at the Museum of Modern Art in the fall of 1998 and includes many biographical pictures as well as color plates of Pollock's paintings, from the awkward but earnest early works to the late, great, famous canvasses. Varnedoe's essay, aptly titled "Comet: Jackson Pollock's Life and Work," deftly invites the reader into Pollock's world, starting with his country studio: "The structure, often called a barn, is in fact more like a glorified tool shed." Karmel's essay, "Pollock at Work: The Films and Photographs of Hans Namuth," is a truly groundbreaking exploration of Pollock's technique. Karmel has scrutinized every frame of every piece of film, still or moving, ever taken of Pollock painting. He arrives at absolutely original conclusions: Pollock's all-over swirls of dripped and flung paint often began as figurative works and clearly relate to such all-American stalwarts as Thomas Hart Benton. Karmel makes countless other sharp observations, noting the difference, for example, between fast-looking marks and the slow, deliberate movements with which they were made (and vice versa). His essay is a work of brilliant scholarship, written thrillingly, and it will forever change the way any serious viewer looks at Pollock's paintings. It makes this volume absolutely essential for understanding the work of this great, sad artist. --Peggy Moorman

About the Author:

Elizabeth Frank has written extensively on both art and literature, including a biography of Louise Bogan. She has taught at Temple University, U.C. Irvine, and Williams, Mills, and Bard colleges.

About this edition

• Publisher: Abbeville Press
• Publication date: 1983
• ISBN 10: 1558592547
• ISBN 13: 9781558592544
• Binding: Paperback
• Number of pages: 128