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The series has been designed for relative affordability, and its subjects are well chosen. Each volume includes a very brief preface by Stoller setting out his relationship to the building and a fairly short critical, historical, analytical essay. Buttressed by about a dozen endnotes, the essays occupy a middle ground between informal and scholarly writing. They are followed by 50 to 60 duotone photos and a few plan drawings. This is an expert look at an extraordinary building and well worth readers' serious attention. --John Pastier
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