Review:
The Bureau for Paranormal Research and Defense. Sound like something out of the X-Files? Well, it's one better; it's Hellboy, the world's greatest paranormal investigator. A mysteriously conjured demon, he's essentially a big red guy who goes looking for trouble. The catch is that he's not really the best investigator; let's face it, he's no Agent Mulder. But Wake the Devil always manages to maintain its creepy edge, in no small part due to Mignola's art, which may seem familiar. He did the set designs for Francis Ford Coppola's Dracula.
About the Author:
Mike Mignola's fascination with ghosts and monsters began at an early age; reading Dracula at age twelve introduced him to Victorian literature and folklore, from which he has never recovered. Starting in 1982 as a bad inker for Marvel Comics, he swiftly evolved into a not-so-bad artist. By the late 1980s, he had begun to develop his own unique graphic style, with mainstream projects like Cosmic Odyssey and Batman: Gotham by Gaslight. In 1994, he published the first Hellboy series through Dark Horse. There are thirteen Hellboy graphic novels (with more on the way), several spin-off titles (B.P.R.D., Lobster Johnson, Abe Sapien, and Sir Edward Grey: Witchfinder), prose books, animated films, and two live-action films starring Ron Perlman. Along the way he worked on Francis Ford Coppola's film Bram Stoker's Dracula (1992), was a production designer for Disney's Atlantis: The Lost Empire (2001), and was the visual consultant to director Guillermo del Toro on Blade II (2002), Hellboy (2004), and Hellboy II: The Golden Army (2008). Mike's books have earned numerous awards and are published in a great many countries. Mike lives in Southern California with his wife, daughter, and cat.
Pat Brosseau is a comic book letterer from Pasadena, California. He has worked on titles including Aquaman and Suicide Squad.
James Sinclair is a comic book artist and illustrator known for his work on The Flash, Hell Blazer, Green Arrow, Hellboy, The Mask, and many other titles.
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