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Cinema in Central Asia: Rewriting Cultural Histories (KINO - The Russian and Soviet Cinema) - Softcover

 
9781845119010: Cinema in Central Asia: Rewriting Cultural Histories (KINO - The Russian and Soviet Cinema)
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Cinema in Central Asia is the first comprehensive and up-to-date account of film in Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan and Uzbekistan from its origins to the present day. Featuring specialists from Central Asia, Russia, Europe, and the United States, this companion to the cinema of Central Asia combines serious scholarly study with practical accessibility to construct an historical narrative, to discuss aspects of film production, and to consider the impact of film. It offers a deeper understanding of Central Asian culture that is invaluable with the geopolitical and economic emergence of the region.

The book includes a broad history of Central Asian film industry, along with incisive pieces explaining early film institutions and themes, the impact of the Second World War, expressions of identity and protest during the Soviet era, and regional variations of post-Soviet filmmaking. The final section comprises biographic and filmographic entries on the principle figures of Central Asian cinema, providing scholars and filmgoers with a valuable reference.

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About the Author:
Birgit Beumers is Reader in the Russian Department, Bristol University. Her publications include Burnt by the Sun, Nikita Mikhalkov, and Russia on Reels: The Russian Idea in Post-Soviet Cinema (as editor), all published by I.B. Tauris. She is on the Editorial Advisory Board of Tauris' KINO Series.

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Book Description Paperback. Condition: new. Paperback. Cinema in Central Asia is the first comprehensive and up-to-date account of the cinema of Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan and Uzbekistan from its origins to the present day. Bringing together specialists from Central Asia, Russia, Europe and the United States, this companion to the cinema of the region combines serious scholarly study with practical accessibility to construct an historical narrative, discuss aspects of film production and consider the impact of film. The book also offers a deeper understanding of Central Asian culture that is invaluable with the geopolitical and economic emergence of this exciting region. The book opens with a broad history, paying particular attention to the emergence and expansion of the film industry, competing visions of nationalism and distinct phases of the post-Soviet film experience. A series of incisive articles written by specialists on Central Asian film follows. They explain early film institutions and themes, the impact of the Second World War, expressions of identity and protest during the Soviet era, as well as regional variations of post-Soviet filmmaking and political involvement. The final section comprises biographical and filmographical entries on the principal figures of Central Asian cinema that offer a much-needed reference for scholars and filmgoers. Cinema in Central Asia is the first comprehensive and up-to-date account of film in Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan and Uzbekistan from its origins to the present day. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781845119010

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