About the Author:
Laura Samsom Rous studied anthropology at the University of Amsterdam and was a lecturer at the Academy of Art in Utrecht and The Hague. Her photographs are in international collections. Together with Hans Samsom, she worked for the United Nations, the Anti Apartheid Movement and the Royal Tropical Institute in the Netherlands. They work and live in Amsterdam.
Review:
"This book is difficult to describe. On one level, it is gorgeous photography ... for example, there is a photo of a couple dining in the shade of the palm grove on [a] sundrenched beach at the bungalow hotel Auberge de la Diaspora. Out of context one could think 'Oh, what a lovely setting." In context, this grove is near the monument for 'The Port of No Return," a monument at the coast is Ouidah symbolising the largest deportation known to man. This is an unusual approach, and the authors obviously have a deep respect for the people and the land. They include information about the slave trade in general, and its persistence to this day, with links to resources." (African American History & Heritage)
"Dutch photographer Laura Samsom Rous and Hans Samsom have collaborated to produce and unusual book. Following the last part of the route of the transatlantic slave trade, stretching from Senegal to Angola, they have photographed the present-day people and landscapes of Ouidah, Benin. Ouidah was a major port from which African captives were deported. The brief text (in English, French, Dutch, and Sranan) tells the story of the trade in humans that continued for 300 years. Other photographs are portraits of the descendants of Africans now living in Surinam (a former Dutch possession) and the Netherlands, as well as panoramas of these countries. From Africa to Surinam the migration was forced, but the one to the Netherlands occurred after Surinam's independence in 1975. Surinam's population is 450,000, and Surinamese in the Netherlands number 315,000.
The brilliant photographs of Benin, Surinam and Amsterdam are beautiful and evocative of the slave trade, often assisted by the kings of Dahomey (now Benin). The direct looks of the subjects in the portraits resonate with their history of disruption and migration. For further information there are Internet addresses and a brief note about slavery in the world today. For collections of photography, history, and Africana." (Multicultural Review)
"About this title" may belong to another edition of this title.