Synopsis
In these breathtaking novellas, A.S. Byatt returns to the territory she explored in Possession: the landscape of Victorian England, where science and spiritualism are both popular manias, and domestic decorum coexists with brutality and perversion. Angels and Insects is "delicate and confidently ironic.... Byatt perfectly blends laughter and sympathy [with] extraordinary sensuality" (San Francisco Examiner).
From the Trade Paperback edition.
Reviews
Revisiting the Victorian ambience of Possession , Byatt treats her large audience to more extraordinary literary gamesmanship with two intricate novellas. In "Morpho Eugenia" penniless young entomologist William Adamson has just returned from a 10-year expedition in the Amazon. William is taken in by a titled clergyman with scientific pretensions, and soon marries his benefactor's beautiful daughter. Unable to undertake another Amazon adventure, he studies domestic ant colonies and discovers indecent parallels between the insects and his new family. "The Conjugial Angel" involves a circle of spiritualists, chief among them Alfred Tennyson's sister Emily, in her youth engaged to Arthur Hallam, the man immortalized in Tennyson's In Memorium . Emily has been branded faithless for having married years after Hallam's death (Elizabeth Barrett called her a "disgrace to womanhood"), but she is uncompromising in her pursuit of Hallam's ghost. As fans will anticipate, Byatt effortlessly exploits the opportunities for pastiche, belletristic flourish and critical commentary. If her symbolism is as excessively upholstered and overdetermined as the narratives of her Victorian models, beneath the padding she sets out a delicate chain of thematic concerns--19th-century tensions between science and faith, erotic currents within families, the nature of marital happiness--and heightens them by juxtaposing the two novellas here. Her easy ventriloquism mocks Victorian excesses even as she uses these same elements to inveigle her readers. Complex and captivating, this fluid volume recasts itself on every page.
Copyright 1993 Reed Business Information, Inc.
Two postmodern novellas with Victorian themes that have all the leaden scholarly pretension of that era--and none of the leavening irony that made Byatt's bestselling Possession (1990) so successful a mix of erudition and wit. Taking two intellectually incompatible ideas--Darwinism and spiritualism--of the period, Byatt then sets them up in their quintessential Victorian settings, where they are observed, illustrated, and dissected like the insect specimens of the first novella and found to signify not very much, despite quotes from the greats and the Bible. In ``Morpho Eugenia,'' impoverished naturalist William Adamson, homeward bound from insect-hunting in South America, is employed by a wealthy clergyman-scholar who's trying to write a book that will reconcile his religious beliefs with his scientific interests. Adamson soon falls in love with the clergyman's daughter, the beautiful Eugenia, whom he marries only to find that her behavior is eerily similar to that of some of the insects he's been studying with the help of governess Matty. With the proceeds from his book on ants, Adamson then heads off with Matty to South America, cheered by their sea captain's thought for the day: ``That is the main thing--to be alive.'' The widow of this same captain is one of the protagonists of ``The Conjugal Angel,'' in which a group holds weekly s‚ances where she is medium. They meet in the home of Captain Jesse and his wife Emily, Alfred Tennyson's sister and once the fianc‚e of the beloved Arthur Hallam, to whom the poet dedicated that great Victorian icon ``In Memoriam.'' All of which means a great deal of poetry quoted, a great number of spirits consulted, and much speculation about just what Alfred really felt for Arthur--as well as an abrupt ending in which an angel teaches all those present a rather earthly lesson. Too much learning can be a dangerous thing for a novelist who needs to separate the learned monograph from the illuminating tale. Dull and forced. -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.
This work consists of two novellas set in the mid-19th century. The first, "Morpho Eugenia," is a Gothic fable that explores the multiple themes of earthly paradise and Darwin's theories of breeding and sexuality. There is an implied parallel between insect and human society throughout. The hero, a poor, scholarly entomologist, is taken into a wealthy Victorian family. His life and loves, particularly for the daughter Eugenia and the eponymous species of butterfly, comprise this tale. The second novella, "The Conjugal Angel," is reminiscent of Possession ( LJ 11/1/90), Byatt's 1990 Booker Prize winner for fiction, wherein poetry is woven into the narrative. Here, the poem is Tennyson's "In Memoriam , " written to mourn the death of Tennyson's friend Arthur Henry Hallam, who was engaged to the poet's sister Emily--a main character here. This is a philosophical ghost story, bizarre and comic, but since assorted mediums meet real characters, it is difficult to relate to any of them. These novellas will attract attention due to the fame of their author, but they will appeal to a very limited audience. Previewed in Prepub Alert, LJ 12/92.
- Patricia C. Heaney, Nassau Community Coll. Lib., Garden City, N.Y.
Copyright 1993 Reed Business Information, Inc.
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