The Art of Nature : Reflections on the Grand Design [signiertes Exemplar]

Heinemann, Bruce W. [Ill.] and Tim McNulty:

ISBN 10: 0930861051 / ISBN 13: 9780930861056

Published by Seattle : Prior Pub, 1992

About this Item

119 S., m. zahlr. ganzseitigen Abb., 28x34 cm Schutzumschlag mit geringfügigen Alterungsspuren, gutes bis sehr gutes Exemplar; vom Fotografen Bruce Heinemann auf dem Vorsatzbaltt signiert und datiert "1994" H-01-03 9780930861056 Aufgrund der EPR-Regelung kann zur Zeit in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei. Bitte beachten Sie: Auf Grund der vorgegebenen Versandkosten von AbeBooks / ZVAB kann es bei Büchern über 1 kg oder bei mehrbändigen Werken zu höheren Versandkosten kommen. Please note: Due to the shipping costs specified by AbeBooks / ZVAB, there may be higher shipping costs for books over 1 kg or for multi-volume works. Sprache: Englisch Gewicht in Gramm: 1432 Original-Leinwand mit Original-Schutzumschlag.

Seller Inventory # 13950

Bibliographic Details

• Title: The Art of Nature : Reflections on the Grand Design [signiertes Exemplar]
• Publisher: Seattle : Prior Pub
• Publication Date: 1992
• Language: English
• ISBN 10: 0930861051
• ISBN 13: 9780930861056
• Binding: Hardcover
• Edition: Erstausgabe.
• Condition: Gut
• Dust Jacket Condition: Dust Jacket Included
• Weight: 1432 grams
• Signed: Signed by Author(s)
• Seller catalogs:
  • signierte Bücher

About this title

Synopsis

Photographer Bruce Heinemann and author Tim McNulty consider our relationship to nature, and how the perception of beauty informs and influences how we see ourselves in the natural order of things. In his three essays, McNulty considers how our lifestyles and economic activities have impacted the natural and long-standing processes of our global ecosystem. His essays are as poetic and eloquent as they are insightful, as he asks us to contemplate how we might in our own lives make the choices necessary to live more in harmony with the earth's natural processes. While McNulty's essays may prompt us to reevaluate our relationship to the natural world, Bruce Heinemann attracts our attention by presenting his striking images that bear witness to the richness and diversity of the natural landscape. His explorations lead him from the simple elemental designs of soft evening light on sand dunes to the complex abstract of colors, textures, and shapes of an arid wetland. His images, both subtle and grand, are an expression of the masterpiece, this living painting, that we call nature. If beauty is indeed the language of nature, his photographs speak clearly.