Eva Mirabal: Three Generations of Tradition and Modernity at Taos Pueblo

Rudnick, Lois P.; Warm Day Coming, Jonathan

ISBN 10: 0890136629 / ISBN 13: 9780890136621

Published by Museum of New Mexico Press, 2021

Large softcover, with dust jacket. First Edition. Signed by Jonathan Warm Day Coming. one of the subjects in the book. 4to(9.25 x 10.75 in.). Book is beautiful light yellow cloth, title in stamped gilt on the front and spine. Absolutely no blemishes or markings. Corners are sharp. Text edge is clean. Pages are clean, bright. Jacket is pale blue with the image "Prairie Fire" on the front-center. A photo of the artist, in uniform, is on the rear. Jacket is double folded along the top and bottom for sturdiness. It is very clean and stiff. This book covers the life and work of a Taos Pueblo artist who lived from 1920-1968 and carved out a unique place in Indigenous art culture. It is also the story of her tribe and her family. A son named Jonathan Warm Day Coming has continue her legacy as a visual artist and signed this copy on the title page. Seller Inventory # 001805

Synopsis:

Eva Mirabal (Eah-Ha-Wa, Fast Growing Corn, 1920–1968) studied for six years at the Dorothy Dunn Studio art program in Santa Fe, where she was a favorite of the program’s founder and served as an assistant to Dunn’s successor, Geronima Montoya (P’Otsunu, 1915–2015, Ohkay Owingeh Pueblo). By the time she was twenty years old, Mirabal was exhibiting in museums and galleries across the country. Mirabal’s first exposure to art was through her father Pedro Mirabal who was a popular model, along with Eva’s father-in-law Geronimo Gomez, for members of the Taos Art Society and for modern artists who came to Taos as part of Mabel Dodge Luhan’s circle. Pedro sat for a bronze bust created by Maurice Sterne and for a portrait by Nicolai Fechin, Pietro, now in the collections of the Eiteljorg Museum of American Indians and Western Art. Gomez, one of the leaders of the Peyote religion at Taos Pueblo, is the non-traditional figure depicted in Ernest Blumenschein’s controversial painting Star Road and White Sun. During World War II, Eva enlisted in the Woman’s Army Corp (WACs) in 1943, the only WAC assigned as a full-time artist. She was very likely the first Native American woman to publish a comic strip, the feisty G. I. Gertie. During the same period, she worked on two significant mural commissions. After the war, Eva was a visiting professor of art at Southern Illinois Normal University. Following her return to Taos Pueblo, she studied at the Taos Valley Art School on the GI Bill. Throughout her lifetime, her paintings and murals received national acclaim. After her death in 1968, Eva’s teenage sons discovered a treasure trove of her life story. In a huge pine box that she had nailed shut, she placed scores of her drawings; family photographs; diary entries; newspaper clippings; and hundreds of letters related to her life and work that she received from curators, gallery owners, friends, and teachers over the years. Drawing on this rich and invaluable archive, as well as on interviews with family members, Rudnick tells the story of Eva’s brilliant but brief and impactful career as a Taos Pueblo artist, along with the story of the artistic legacy carried on by her son Jonathan Warm Day Coming.

About the Author: Lois P. Rudnick is professor emerita at the University of Massachusetts, a scholar, and a curator. Her books include Mabel Dodge Luhan & Company: American Moderns and the West (co-edited with MaLin Wilson-Powell), and Cady Wells and Southwestern Modernism (editor). Rudnick lives in Santa Fe. Jonathan Warm Day Coming is an illustrator, painter, and children’s book writer who lives at Taos Pueblo. He is the author of Taos Pueblo Painted Stories.

Bibliographic Details

Title: Eva Mirabal: Three Generations of Tradition ...
Publisher: Museum of New Mexico Press
Publication Date: 2021
Binding: Hardcover
Condition: Near Fine
Dust Jacket Condition: Very Good
Signed: Signed by Illustrator(s)
Edition: 1st Edition