THE FIFTH CHILD [Signed]

Amid the turbulent atmosphere of the late 1960s, Harriet and David Lovatt manage to keep their family safely detached from outside turmoil--until the birth of their fifth child, who is abnormally strong, demanding, even violent

Lessing's latest novel is profoundly disquieting, not only for the story it tells but also for the message it conveys. Harriet and David, both conservative, old-fashioned and out of step with the liberated '60s, meet in London and know immediately that they are meant to marry. They buy a white elephant of a house in the suburbs and begin to fill its many bedrooms with children. Smugly determined to create a happy family, they unashamedly sponge off David's father and exploit Harriet's mother as an unpaid nanny. The first four children are adorable, but when Harriet becomes pregnant for the fifth time, she realizes that this baby is different. Painfully active in the womb, newborn Ben seems more like a monster than child; Harriet thinks he is a throwback to humanity's primitive forebears. Howling and raging, enormously strong, Ben inspires fear and horror. After he strangles two pets and menaces his siblings, David sends him away to an institution. Harriet is compelled to bring him home, but his presence irrevocably destroys family harmony. Ben eventually finds his niche with a group of dropouts who become thugs, thieves and muggers. There this horror story ends, and we are left with Lessing's indictment of those in authority who refuse to acknowledge responsibility for the violence inherent in mankind. More disquieting, in equating Ben with the lower and, she intimates, uncivilized strata of society, Lessing seems to assert a message of upper-class superiority. The implications of this slim, gripping work are ominous. 30,000 first printing; Literary Guild main selection.
Copyright 1988 Reed Business Information, Inc.

Mildly eccentric English couple Harriet and David Lovatt are the contented parents of four healthy children. Suddenly, their peace is forever shattered by their fifth child, Ben, a fiercely malevolent goblin-child with a penchant for violence. It is suggested that Ben is a throwback to earlier, precivilized time, that he represents a random settling of neanderthal-like genes that all humans carry. Only Harriet tries to civilize the boy, and he gradually learns to function on a primitive level and even collects a band of similar outcasts about him. Unwanted, they leave their homes to wander England like modern-day troglodytes. Society's complicity with their fate is a reflection of its callousness. Not major Lessing but sensitive and strangely compelling nevertheless. Laurence Hull, Cannon Memorial Lib., Concord, N.C.
Copyright 1988 Reed Business Information, Inc.