Synopsis
An Authoritative, Comprehensive Guide for Contemporary Figurative Artists that begins with a condensed history of figurative art and then provides a step by step explanation of academic figure and portrait drawing techniques. Finally, Zeller explores the painting processes of some of the top contemporary figurative artists working today, showing their studio practices, from sketchbooks to color studies and finished paintings.
Illustrated with Zeller's own exquisite drawings and paintings as well as works by nearly 100 historical and contemporary figurative art masters, the handbook is also a treasure trove of the finest figurative art of the past and the present day. Included are Michelangelo, Pieter Brueghel the Elder, Peter Paul Rubens, Jean-Auguste-Dominique Ingres, Gustav Klimt, Edward Hopper, Andrew Loomis, Andrew Wyeth, Lucian Freud, Odd Nerdrum, Eric Fischl, Bo Bartlett, Steven Assael, John Currin, and many others.
Original and thoroughly modern in his approach, Zeller brings together three figure-drawing methods long thought to be at odds, synthesizing these seemingly incompatible techniques to achieve a cohesive and complete understanding of the human figure.
Although all three methods underlie contemporary fine-arts practice and education, no artist's handbook has ever combined them before. - The Study of Gesture (Disegno): Rooted in the Italian Mannerist style of the 16th and 17th centuries, the gestural method emphasizes life, rhythm, and movement in the human body. - The Structural Approach: A mainstay of 20th- and 21st-century art instruction, this method applies an architectural perspective to the body, using a block conception for anatomically sound, solid figures. - The Atelier Method: Based on the training provided by 18th- and 19th-century art academies, the atelier approach creates sensual, smooth renderings based on meticulous study of the figure's surface morphology in light and shadow.
Covering all the basics as well as many advanced techniques, The Figurative Artist's Handbook is aimed at both students and experienced artists. A practical, how-to guide, it provides in-depth step-by-step instruction and - rare among figure-drawing books - features sections on composition, portraiture, and painting. Chapters on creativity and on using a sketchbook help readers hone their artistic vision and evolve ideas from the initial inspiration to the fully developed work. Also included is an extensive section highlighting the great movements in figurative art throughout history - from ancient Egypt and Greece to the present.
About the Author
ROBERT ZELLER is a visual artist and writer who received a BFA from a joint program of the Boston Museum School and Tufts University and an MFA from the New York Academy of Art. He maintains a studio practice in Brooklyn, where he creates Surrealist-inspired work. He is the recipient of two Posey Fellowships and a Pollock-Krasner Foundation Grant. He has curated group exhibitions in New York City, and his art has been exhibited and collected in the United States, Europe and Mexico. He has written two books for Monacelli Press, an imprint of Phaidon International, The Figurative Artist's Handbook (2017), and New Surrealism: The Uncanny in Contemporary Painting (2023). He contributed a chapter to Photography: Real and Imagined (2023), profiling the permanent collection of Surrealist photography of the National Gallery of Victoria in Melbourne, Australia, and has also written for The Brooklyn Rail and other influential art periodicals and blogs. In 2009, he founded The Teaching Studios of Art, an in-person and online art school devoted to instruction in figurative art.
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