First Language (Juniper Prize for Poetry) INSCRIBED to poet Gregory Orr

Kleinschmidt, Edward

ISBN 10: 0870236997 / ISBN 13: 9780870236990

Published by University of Massachusetts Press, Amherst, (1990), 1990

About this Item

INSCRIBED by the author to poet Gregory Orr. Good Plus, internally clean, solid hard cover First Printing with some fading and light spotting to the spin. The Good Plus dust jacket is complete but has a two inch tear and tiny tear. The jacket is foxed on the flaps and on the back side but this is not visible on the front, back or spine of the jacket. Top edge foxed.

Seller Inventory # 22085

Bibliographic Details

• Title: First Language (Juniper Prize for Poetry) INSCRIBED to poet Gregory Orr
• Publisher: University of Massachusetts Press, Amherst, (1990)
• Publication Date: 1990
• Language: English
• ISBN 10: 0870236997
• ISBN 13: 9780870236990
• Binding: Cloth
• Edition: First Edition
• Condition: Good Plus
• Dust Jacket Condition: Good Plus
• Signed: Signed by Author(s)
• Seller catalogs:
  • Literature

About this title

Synopsis

This book is the winner of the 1989 Juniper Prize, the annual poetry award sponsored by the University of Massachusetts Press.

The poems in First Language do what Keats said poems must do: "surprise by a fine excess." Edward Kleinschmidt's words ricochet and deflect on their way to and from the heart. As the title suggests, these poems work from the source, that area of language, memory, and experience behind the operative meaning of words. Kleinschmidt dives into the layered implications of words for their limitless possibilities, to places that even those words had forgotten they had access to. He does so with a playful, astute intelligence and originality. He is the wild card in any deck of contemporary poets.

About the Author

Edward Kleinschmidt's first book of poetry, Magnetism, received the 1988 Poetry Award from the San Francisco Bay Area Book Reviewers Association. The volume was praised in The Massachusetts Review by Paul Jenkins, who wrote: "Kleinschmidt commits himself to an extravagance of wordplay, a wind shear of words, that carries him frequently beyond story and thought into realms of invention that can only be described as inspired. [These poems are] guided not by the logic of storytelling or even of feeling but by the force-field of language itself."