Gehry Talks: Architecture + Process. Pristine copy Signed by Gehry.

GEHRY, Frank O. Edited by Mildred Friedman with an essay by Michael Sorkin; commentaries by Frank O. Gehry and Associates.

ISBN 10: 084782165X / ISBN 13: 9780847821655

Published by Rizzoli,, New York, 1999

About this Item

First edition / First printing. Signed on the half-title page by Frank O. Gehry. Illustrated boards. 299 pages. Very fine in very fine dust jacket. Frosted "vellum" jacket is fragile, and tears and chips easily, this copy is flawless. An exceptional copy. Frank O. Gehry is the Pritzker Prize Winner for 1989.

Seller Inventory # 117603

Bibliographic Details

• Title: Gehry Talks: Architecture + Process. Pristine copy Signed by Gehry.
• Publisher: Rizzoli,, New York
• Publication Date: 1999
• Language: English
• ISBN 10: 084782165X
• ISBN 13: 9780847821655
• Binding: Hardcover
• Illustrator: Frank O. Gehry
• Edition: 1st Edition
• Printing: 1st Printing
• Condition: As New
• Dust Jacket Condition: As New
• Weight: 8 pounds
• Signed: Signed by Author(s)
• Seller catalogs:
  • Design
  • Architecture
  • Signed Books

About this title

Synopsis

With the completion of the celebrated Guggenheim Museum in Bilbao, Spain, architect Frank O. Gehry has entered the pantheon of twentieth-century masters. In this wholly unique new book, Gehry himself offers extensive and illuminating commentary on various aspects of the proceses involved in developing his revolutionary designs, including his influences, clients, use of materials, and new technologies.

Gehry Talks: Architecture + Process documents all of his new work of this decade, tracing his evolution from a southern California architect known for his idiosyncratic use of materials and collaboration with local artists, to an international figure whose fluid, hitherto undreamt-of forms surge beyond the aesthetic and technical constraints of the twentieth century. From the titanium-wrapped curves of the Guggenheim Bilbao to the binocular facade of the Chiat-Day Headquarters in California, his innovative structural ideas evoke a sense of freedom and spontaneity while, at the same time, displaying the utmot control. Unbound by guidelines of symmetry or the grid's delineation, his structures spring forth, engaged in a seemingly limitless play of ideas--ever-changing in both the multitudinous combinations of shapes suggested by the form and the depth of the conceptual associations implied by the design. Fish and snake motifs birl upon his buildings' rippling surfaces, while light follows the asymmetrical trajectories of their metallic folds. Though controversial and daring, his works always possess an elegance that lends warmth and humane scope to each project, regardless of the level of innovation--as evinced in contexts as varying as the complicated, and unrealized, plan of the Lewis House in Lyndhurst, Ohio or the clarity of the idea behind the Üstra office building in Hannover, Germany.

This generously illustrated presentation features thirty-three projects, including the Chiat-Day Headquarters in Venice, California; the Team Disneyland Administration Building in Anaheim, California; the Vitra Furniture Museum and Factory in Weil am Rhein, Germany; the Entertainment Center at Euro-Disney (now called Disneyland Paris); the Walt Disney Concert Hall in Los Angeles, California; and the Guggenheim Museum in Bilbao, Spain. Editor Mildred Friedman and architecture critic Michael Sorkin provide insightful essays.

About the Author

Mildred Friedman is the editor of Rizzoli's The Architecture of Frank Gehry (1986) and the curator of the 1986 Gehry exhibition at the Walker Art Center.

Michael Sorkin is a New York-based architecture critic and author of Exquisite Corpse and Michael Sorkin Studio: Wiggle.