MATISSE STORIES. Author Signed. *

These three stories celebrate the eye even as they reveal its unexpected proximity to the heart. For if each of A.S. Byatt's narratives is in some way inspired by a painting of Henri Matisse, each is also about the intimate connection between seeing and feeling--about the ways in which a glance we meant to be casual may suddenly call forth the deepest reserves of our being. Beautifully written, intensely observed, The Matisse Stories is fiction of spellbinding authority.

"Full of delight and humor...The Matisse Stories is studded with brilliantly apt images and a fine sense for subtleties of conversation and emotion."--San Francisco Chronicle


From the Trade Paperback edition.

In three masterfully written stories loosely inspired by Matisse paintings, Byatt (Possession) dazzles with her evocation of sensuous detail while adroitly emphasizing the interconnectedness of life and art. In each one, a woman teetering on the edge of losing her emotional equilibrium finds a small nugget of comfort after some unsettling surprises. Susannah, the troubled middle-aged heroine of "Medusa's Ankle," is drawn into a hairdressing salon by a Matisse reproduction on the wall. Byatt understands that a woman is most acutely vulnerable looking at her unadorned image in a mirror, and when the self-absorbed hairdresser confides that he plans to leave his wife for a young lover, Susannah's sudden outburst as she contemplates the loss of her youth, her attractiveness and her future is movingly real. Dr. Gerda Himmelblau, "a solitary intellectual nearing retirement," has a quieter epiphany in "The Chinese Lobster," but it is facilitated by a man whose sensibility about art and life she shares. Two doughty women captivate the reader in "Art Work," a delightfully surprising tale in which the "received" nature of art and a woman's role as muse are questioned with amusing insight. Byatt's lapidary prose shimmers with the colors she describes so intensely. Her understanding of human relationships is no less brilliant. Line drawings not seen by PW.
Copyright 1995 Reed Business Information, Inc.

A best seller in England, where it was published in 1993, this beautifully illustrated volume contains three stories-each a sort of "still life" inspired by a particular Matisse painting-of seemingly ordinary women: a middle-aged teacher forced to play psychiatrist to her self-centered hairdresser; a cleaning woman with a passion for knitting; and a college dean discussing a case of sexual harassment with the accused over lunch in a Chinese restaurant. Byatt (Possession, LJ 11/1/90), who has been in the news lately for her principled stand against huge advances for literary fiction, is a consummate prose stylist, possessed of both perfect pitch for dialog and a painterly eye for the telling details that flesh out these characters and reveal their essential humanness. Highly recommended for fiction collections.
--David Sowd, formerly with Stark Cty. District Lib., Canton, Ohio
Copyright 1995 Reed Business Information, Inc.

Byatt has drawn on the twin spheres of her literary passions, fiction and criticism, to create a triptych of stunning stories. Each ever-deepening tale revolves around a painting by Matisse. The paintings and the stories are about women, but Byatt's women have none of the abandon of Matisse's serenely voluptuous beauties: her women work, worry, and sacrifice. They are responsible and painfully honest. We gradually realize that they are also simmering with anger and grief as Byatt's strategically neutral tone gives way to ravishing descriptions of sounds, colors, and smells that bring each setting to life and steer each conflict to its eviscerating conclusion. In "Medusa's Ankles," one of Matisse's monumental nudes, a rosy spread of femaleness, graces a hair salon where a distinguished translator hopes to regain a hint of her youthful looks. In "Art Works," Byatt delves into the mysteries of creativity with a brilliant group portrait of three very different artists: a generous wife, her petulant husband, and their regal housekeeper. And finally, in "The Chinese Lobster," Byatt contrasts the tortured self-loathing of an anorexic art student with the smug opulence of Matisse's nudes and ponders the lure of suicide. These are breathtakingly beautiful stories, rendered with precision and poetry. Donna Seaman