Maps and Legends Reading and Writing Along the Borderlands

Chabon, Michael

ISBN 10: 1932416897 / ISBN 13: 9781932416893

Published by McSweeney's, San Francisco, 2008

About this Item

Simply signed on the title page by Michael Chabon. Full number line. ; 222 pages; Signed by Author.

Seller Inventory # 37768

Bibliographic Details

• Title: Maps and Legends Reading and Writing Along the Borderlands
• Publisher: McSweeney's, San Francisco
• Publication Date: 2008
• Language: English
• ISBN 10: 1932416897
• ISBN 13: 9781932416893
• Binding: Hardcover
• Edition: First Edition; First Printing.
• Condition: Fine
• Dust Jacket Condition: Fine
• Signed: Signed by Author(s)
• Seller catalogs:
  • Art

About this title

Synopsis

Michael Chabon's sparkling first book of nonfiction is a love song in 16 parts — a series of linked essays in praise of reading and writing, with subjects running from ghost stories to comic books, Sherlock Holmes to Cormac McCarthy. Throughout, Chabon energetically argues for a return to the thrilling, chilling origins of storytelling, rejecting the false walls around "serious" literature in favor of a wide-ranging affection. His own fiction, meanwhile, is explored from the perspective of personal history: post-collegiate desperation sparks his debut, The Mysteries of Pittsburgh; procrastination and doubt reveal the way toward Wonder Boys; a love of comics and a basement golem combine to create the Pulitzer Prize-winning The Amazing Adventures of Kavalier & Clay; and an enigmatic Yiddish phrasebook unfurls into The Yiddish Policeman's Union.

Reviews

You would hardly think, reading Chabon's new book of essays, that he won the Pulitzer Prize for a book about comics. Rather, he is bitter and defensive about his love for genre fiction such as mysteries and comic books. Serious writers, he says, cannot venture into these genres without losing credibility. No self-respecting literary genius... would ever describe him- or herself as primarily an 'entertainer,' Chabon writes. An entertainer is a man in a sequined dinner jacket, singing 'She's a Lady' to a hall filled with women rubber-banding their underwear up onto the stage. Chabon devotes most of the essays to examining specific genres that he admires, from M.R. James's ghost stories to Cormac McCarthy's apocalyptic work, The Road. The remaining handful of essays are more memoir-focused, with Chabon explaining how he came to write many of his books. Chabon casts himself as one of the few brave souls willing to face ridicule—from whom isn't entirely clear, though it seems to be academics—to write as he wishes. I write from the place I live: in exile, he says. It's hard to imagine the audience for this book. Chabon seems to want to debate English professors, but surely only his fellow comic-book lovers will be interested in his tirade. (Apr.)
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