Porcupine, Picayune, & Post: How Newspapers Get Their Names

Jim Bernhard

ISBN 10: 0826217486 / ISBN 13: 9780826217486

Published by University of Missouri Press, Columbia, Missouri, 2007

About this Item

CL2 - A first edition (numberline starts with "1") hardcover book SIGNED and inscribed by author to previous owner on the half-title page in very good condition in very good dust jacket that is mylar protected. Dust jacket and book have some bumped corners and light shelf wear. With the naming of newspapers fast becoming a lost art, Porcupine, Picayune, & Post tells what s behind the banners we see each day but probably never stop to think about. Thanks to Bernhard, we may never see them in the same way again. 9.5"x6.5", 216 pages. Satisfaction Guaranteed. Why a Gazette? When one stops to think about it, Times or News is easy to understand, but why do some newspapers have strange names such as Jimplecute or Bazoo? And not to be picayune, but why Picayune? Word sleuth Jim Bernhard stopped to consider such questions and began a quest that resulted in the only book-length account of the history of newspaper titles. Cataloging names from the most common to the most bizarre, Porcupine, Picayune, & Post explores the history and etymology of newspapers' names - names that, by their very peculiarity, cry out for explanation. Bernhard focuses on printed general-interest English-language dailies and weeklies, from the Choteau (Montana) Acantha to the Moab (Utah) Zephyr, with everything in between - including the Gondolier of Venice, Florida, and the Iconoclast of Crawford, Texas. He explains why there are more Heralds, Journals, Posts, and Tribunes than you can shake a typestick at. He also goes beyond America's borders to consider such oddities as the Banbury Cake in England and the Gawler Bunyip in Australia. As Bernhard shows, the reasons for newspaper names vary: sometimes their origins are political or historical, sometimes personal or simply whimsical. Many names have lost their original purposes over time but were chosen with care to symbolize a philosophy or mission or else were created by word association with the paper's location or community role. This book is bursting with little-known facts that will delight anyone who picks up a daily paper: how the Oil City Derrick in Pennsylvania got its name from a seventeenth-century English hangman, why a Londoner printed a newspaper on calico and named it the Handkerchief, and what meaning lurks behind the Unterrified Democrat of Linn, Missouri. There s even a chapter on noteworthy fictional newspapers, from Superman's Daily Planet to Lake Wobegon's Herald-Star. Size: 8vo - over 7¾" - 9¾" tall.

Seller Inventory # EC34796BB

Bibliographic Details

• Title: Porcupine, Picayune, & Post: How Newspapers Get Their Names
• Publisher: University of Missouri Press, Columbia, Missouri
• Publication Date: 2007
• Language: English
• ISBN 10: 0826217486
• ISBN 13: 9780826217486
• Binding: Hard Cover
• Edition: First Edition.
• Condition: Very Good
• Dust Jacket Condition: Very Good
• Signed: Signed by Author
• Seller catalogs:
  • History
  • Writing
  • History: U.S.

About this title

Synopsis

Why a Gazette? When one stops to think about it, Times or News is easy to understand, but why do some newspapers have strange names such as Jimplecute or Bazoo? And not to be picayune, but why Picayune?

            Word sleuth Jim Bernhard stopped to consider such questions and began a quest that resulted in the only book-length account of the history of newspaper titles. Cataloging names from the most common to the most bizarre, Porcupine, Picayune, & Post explores the history and etymology of newspapers’ names—names that, by their very peculiarity, cry out for explanation.

Bernhard focuses on printed general-interest English-language dailies and weeklies, from the Choteau (Montana) Acantha to the Moab (Utah) Zephyr, with everything in between—including the Gondolier of Venice, Florida, and the Iconoclast of Crawford, Texas. He explains why there are more Heralds, Journals, Posts, and Tribunes than you can shake a typestick at. He also goes beyond America’s borders to consider such oddities as the Banbury Cake in England and the Gawler Bunyip in Australia.

            As Bernhard shows, the reasons for newspaper names vary: sometimes their origins are political or historical, sometimes personal or simply whimsical. Many names have lost their original purposes over time but were chosen with care to symbolize a philosophy or mission or else were created by word association with the paper’s location or community role.

This book is bursting with little-known facts that will delight anyone who picks up a daily paper: how the Oil City Derrick in Pennsylvania got its name from a seventeenth-century English hangman, why a Londoner printed a newspaper on calico and named it the Handkerchief, and what meaning lurks behind the Unterrified Democrat of Linn, Missouri. There’s even a chapter on noteworthy fictional newspapers, from Superman’s Daily Planet to Lake Wobegon’s Herald-Star.

            With the naming of newspapers fast becoming a lost art, Porcupine, Picayune, & Post tells what’s behind the banners we see each day but probably never stop to think about. Thanks to Bernhard, we may never see them in the same way again. 

About the Author

Jim Bernhard has devoted most of his professional life to theater and the performing arts as a producer, playwright, artistic director, and actor. He began his journalism career as a copyeditor, and he later became assistant city editor and theater critic for the Houston Press. He was also editor of the southwest edition of Performing Arts Magazine and host and writer of The Greenroom, a weekly television program on Houston PBS. He was at one time assistant professor of English at Muhlenberg College in Allentown, Pennsylvania.