Robert Wise on His Films: From Editing Room to Director's Chair [*SIGNED*]
Published by Silman-James Press, in cooperation with the Directors Guild of America (c.1995), Los Angeles, 1995
- First Edition
- Signed
- Softcover
- Used

Seller: ReadInk, ABAA/IOBA, Los Angeles, CA, U.S.A.ReadInk, ABAA/IOBA
AbeBooks seller since February 24, 1998
Association member: ABAAIOBAILAB
View this seller's itemsCondition: Used - Near fine
US$ 60.00
Quantity: 1 available
Add to basketItem description from seller
[the teensiest bit of handling wear, very slight curling to corners of front cover]. Trade PB (B&W photographs) INSCRIBED and SIGNED by Robert Wise on the half-title page: "To: Dick / with many thanks for your / kind words on the back cover / Bob Wise." ("Dick" was Wise's fellow director Richard Fleischer, a nice professional association.) A detailed study of the work of the producer-director of THE DAY THE EARTH STOOD STILL, WEST SIDE STORY, THE HAUNTING, THE SOUND OF MUSIC and many other film classics, and also the closest thing we'll ever have to a memoir, as it draws extensively on a lengthy series of interviews and conversations with Wise about his films. In addition to the film-by-film commentary, there's also an excellent biographical overview of his life and career. Signed by Biographee.
Seller Inventory # 25930
Bibliographic details
- Title
- Robert Wise on His Films: From Editing Room to Director's Chair [*SIGNED*]
- Author
- Leemann, Sergio
- Publisher
- Silman-James Press, in cooperation with the Directors Guild of America (c.1995), Los Angeles
- Publication year
- 1995
- Condition
- Near Fine
- Signed
- Signed by Author(s)
- Binding
- Softcover
- Illustrator
- Illustrated by (cover design) Heidi Frieder
- Edition
- First Edition.
ReadInk, ABAA/IOBA
Los Angeles, CA, U.S.A.
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Welcome to ReadInk (rhymes with "Dead Ink"), now in our 29th year of putting interesting books into the hands of interested people. **** Although I occasionally lapse into the "royal we" voice, ReadInk is just me, from one end of the pipeline to the other: buying, cataloging, customer service, shipping, you name it. Nothing here is automated, and every order or inquiry gets my prompt, personal attention. **** In describing a book's physical condition, I employ standard book-grading terminology (Good/Very Good/Fine, with various in-between gradations as appropriate) and do my best to avoid both excessive jargon and overly-finicky detail. My goal is always to present a faithful impression of a book's condition and appearance; significant flaws are individually noted, or if too numerous are succinctly summarized. **** Books are more than just physical objects, however: they are also intellectual/information vessels, and in almost every case I also include some information about a book's content in my listing, even if it's only a carefully chosen quotation from the dust jacket copy. (This may sound like a small thing, but take a look sometime and you'll see how amazingly few sellers bother with this, especially in the case of older fiction, which is one of my specialties.) **** I take great care (and pride) in my packaging of books for shipment; I figure it's my responsibility to ensure that each book I send out will withstand the rigors of the U.S. Postal System, and will reach its new owner in the same condition as advertised. (A sturdy box or an unbendable package is always involved.) **** That's all there is to ReadInk: just a guy who has loved books all my life (perhaps to excess) and entered the trade in my "middle years" to see what I could make of it. And I'm still finding out. **** To view my inventory exclusively, head over to my website -- www.readinkbooks.com. ---- Howard Prouty, prop.…
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Vintage American Fiction, Mystery/Detective Fiction, Film/TV/Theatre, Cinema Periodicals, and Most Anything Else That Strikes My FancyAssociation member
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ReadInk, ABAA/IOBA
CA, U.S.A.
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