The shocking murder lingered in the tabloids for weeks. A sweet elderly lady viciously killed in a town outside Cambridge, her skull crushed with a concrete block by her eleven-year-old foster child, Daryll Flatt. Hideous as the crime was, the case was closed when the boy, curled up in the crack of a willow tree, confessed to the murder. Now, two years later, the boys older brother, Howard, hires private investigator Laura Principal to revisit the case--and to answer the baffling question: Why?
On the surface, Daryll fit the mold of a child murderer perfectly--a hopeless boy abused and cast off by a wretched family. Yet as Laura Principal probes deeper, several curious facts reveal themselves. Perhaps the most alarming piece of evidence never addressed in court--Daryll was particularly agitated the day before the murder. When confronted by his teacher, he confessed: Its a secret. And Im the only one who knows.
For Laura, each question raises another, and each version of events offers conflicting views of the "heartless" boy and his "saintly" foster parent. And with each step closer to the truth, Laura Principal senses someone in the corner of her eye, a threatening presence . . . standing in the shadows . . . watching her every move.
Writing with the sparkling intelligence and razor-sharp wit that readers have come to cherish, Michelle Spring unveils a novel that is both stylish and spellbinding. Standing in the Shadows reaches new heights of psychological suspens--and heart-pounding menace.
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Standing in the Shadows, Michelle Spring's third novel about Laura Principal, Cambridge-based private eye, the detective investigates the brutal murder of a widow at the hands of her 11-year old foster child. Daryll Flatt was convicted of crushing Geraldine King's skull with a barrage of rocks and concrete blocks. As a police detective on the case puts it, "This was a Chicken Little kind of death. The sky fell in." Two years after the murder, Daryll's older brother hires Principal to learn more about why he did it. As she interviews the boy's neighbors, social workers, and relatives about his character, Principal begins to notice that a) most people thought the boy was hyperactive and disturbed but not homicidal, and b) the men she talks with liked the widow, but the women generally did not. Along the way, Principal learns more than she wanted to know about the messy lives of the well-kept denizens of Cambridge. She meets nosy, vitriolic neighbors, men who are unkind to their wives, and a fellow in a gorilla suit who exposes himself to young children. And yes, she begins to get the distinct feeling that she is being followed.
The story is an engrossing one, and Laura Principal is good company. She's a thoughtful, observant narrator who has entertaining friends and coworkers. There's not much action in this book, but there is plenty of suspense, thanks to the odd assortment of characters Spring has created. Initially, none of these characters appear to be particularly suspicious (except the man in the ape outfit), but most of them have done something horribly wrong. Principal doesn't want to believe that a little boy could murder a nice old lady. She can't understand why people are so awful to one another. She keeps asking herself, Why would a person hurt another person like that? That's a pretty compelling question. -Jill Marquis
