Synopsis
When Robin Moore, a divorced mother of a teenaged son, brings an off-islander named Stephen to her island home, his presence transforms all who cross paths with him. By the author of Turtle Moon.
Reviews
Beguiled by her seductive prose and her imaginative virtuosity, readers have always been willing to suspend disbelief and enjoy the touches of magic in Hoffman's novels ( Illumination Night ; Turtle Moon , etc). Here, credibility is stretched not by magical intervention but by the implausibility of a major character. When a feral young man is discovered living with wolves in a remote area of upper Michigan, he cannot speak and can barely remember his early life. Transferred to a hospital in Manhattan, he does not utter a sound and is on his way to being incarcerated in a mental institution until divorced landscape designer Robin Moore impulsively hustles him into her pickup truck and carries him to the sanctuary of her home on an island in Nassau County. There the Wolf Man reveals that his name is Stephen and that he was the sole survivor of a plane crash that killed his parents when he was three-and-a-half years old; thereafter he lived with a wolf pack. Within three months Robin teaches Stephen to read; soon afterwards they begin a passionate affair. How Stephen can so easily expand the small vocabulary he had mastered at a tender age but has never used since, how suddenly he can deal with sophisticated concepts, speak in grammatical sentences and even observe the social graces, is the central flaw that undermines what is otherwise a highly engaging tale. Stephen's presence in the community causes various people to reassess their lives; then there is a tragedy involving a child, (a device that is beginning to be a pattern in Hoffman's novels, as are strange changes in climate that herald a significant event). Hoffman's keen appraisal of human nature and her graceful prose do much to keep this novel appealing; but the bedrock implausibility may deter readers from whole-hearted enjoyment.
Copyright 1993 Reed Business Information, Inc.
There's always been a kind of primal undercurrent in Hoffman's love stories--a pulse of feeling as mysterious and inevitable as the moon-besotted turtles who clamber out of the sea to lay their eggs once a year. In her tenth novel, a latter-day Beauty and the Beast, this pulse is as powerful as a drumbeat--it draws you in and frightens you at the same time. Stephen is not your everyday beast. He's an attractive and intelligent man who happens to have been a feral child, raised by wolves and then returned, unwillingly, to civilization. When Robin Moore chances upon him in a hospital corridor, it's as if she's fallen under a spell. She could never explain it, she just has to rescue him, spiriting him back to the house she shares with her teenaged son in a small island community near N.Y.C. But it's difficult to keep secrets in a small community. Robin and Stephen quickly find themselves the objects of rumor and scrutiny from nosy neighbors, from Robin's estranged husband, Roy, who's a member of the police force, from just about anybody who has a window to spy out of. Tensions mount and, when tragedy strikes on the island, its aftermath comes as no surprise. Hoffman's foreshadowing is laid on a little thick here, but, by the close, events don't seem so much predictable as predestined in the way of a myth or a good fairy tale, made just spooky enough by that steady, distant drumbeat. Once again, Hoffman (Turtle Moon, 1992, etc.) stirs up the unlikely with the ordinary and seasons it, expertly, deliciously, with our darkest desires--her fans should wolf it down. (Literary Guild Dual Selection for May) -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.
Hoffman has always written sympathetically about misfits and loners, from her first book, Property Of ( LJ 5/15/77) to Turtle Moon ( LJ 2/15/92), and her new novel is no exception. Robin Moore rescues a wild, nonspeaking young man--called the Wolf Man because he was found, injured, in a wolf trap--from impending transfer to a mental hospital. In the process of teaching Stephen how to live in "civilized" suburban society, she falls in love with him. Meanwhile, neightborhood animals are found with their throats slit, and a teenage girl is murdered; the Wolf Man is naturally a suspect. Hoffman writes with surehanded grace and detail about Stephen's many years living with a pack of wolves, and she's equally adept at sensitively examining marriage, first love, and adultery. Difficult questions about nature vs. nurture, what it means to be civilized, the justification for murder, and the mysteries of real love are explored in evocative prose. This beautifully written, suspenseful, and thought-provoking novel is highly recommended for all libraries. Literary Guild Main Selection.
- Nancy Pearl, Washington Ctr. for the Book, Seattle
Copyright 1994 Reed Business Information, Inc.
Hoffman has a penchant for tossing bits of magic, romance, and murder into otherwise ordinary domestic dramas of divorce and parenthood. This mix remained saladlike in her last novel, Turtle Moon (1992), but here the ingredients blend into a rich and satisfying concoction. Turtles have been replaced by wolves, a totem figure with great appeal these days, but Hoffman's wolves are compelling, especially since one is a man. We first meet Wolf Man in a New York City psychiatric ward. He cowers in a corner, cannot speak, and is about to be sent to a state institution. Robin, a beautiful woman who has just broken up with her husband, is there to talk to her psychologist brother but, in a moment beyond thought, rescues the handcuffed but suddenly articulate Wolf Man and takes him home with her. As Stephen works at learning the rules of life as a man and attempts to suppress vivid memories of his life as a wolf in the dense woods of Michigan's Upper Peninsula, Robin has to cope with the needs of her failing but still feisty grandfather, madly-in-love son, and angry ex-husband. Stephen's purity of emotion is set in contrast to the messy conflicts of his new pack in this unabashed modern fairy tale, full of insights into the battle between instinct and upbringing, desire and conformity. Donna Seaman
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