A Sight for Sore Eyes

Rendell, Ruth

ISBN 10: 009180101X / ISBN 13: 9780091801014

Published by Crown Publishing Group, 1998

About this Item

Book condition ? Fine: A slight crease in the dust jacket, faint marks on the back cover, but otherwise pristine, free of major blemishes, tears etc. Hardcover binding is mint. Small amounts of foxing on the text block, but mostly clean with crisp edges. Pages are tightly bound, clean and tidy throughout, never thumbed nor opened.

A first edition hardback signed and dated by the author ? highly collectible as a signed first printing from one of the most respected figures in British crime fiction, offering both provenance and desirability for mystery collectors.

This novel showcases the author?s signature mastery of psychological suspense and character-driven intrigue, weaving a compelling narrative that balances tense plotting with astute insight into human behaviour. With sharp observation and narrative momentum, the story invites readers into a world of hidden motives and unsettling revelations, reflecting the qualities that have made the author a defining voice in modern crime fiction. As a signed and dated first edition/first printing hardback, this copy holds particular appeal for collectors of mystery and thriller literature, offering both literary significance and strong presentation value.

Seller Inventory # 1532 E

Bibliographic Details

• Title: A Sight for Sore Eyes
• Publisher: Crown Publishing Group
• Publication Date: 1998
• Language: English
• ISBN 10: 009180101X
• ISBN 13: 9780091801014
• Binding: Hardcover
• Edition: 1st Edition
• Condition: As New
• Dust Jacket Condition: As New
• Weight: 758 grams
• Signed: Signed by Author(s)
• Seller catalogs:
  • 1st Edition

About this title

Synopsis

Hardcover with Dustjacket. 352 pages. A Psychological Suspense Thriller about two Damaged People who are brought together by Death.

Review

Nobody does North London squalor better than Ruth Rendell. Describing in vivid detail the cultural sewer in which a monster named Teddy Brex grows up, she uses hideous furniture, slovenly housekeeping habits, even his mother's diet while pregnant to root us in the setting's hopeless ugliness. In contrast, Rendell introduces people and places of stunning beauty: Francine, a mentally fragile girl who became mute after witnessing her mother's murder; and Orcadia Cottage, scene of a famous painting that is at the center of much of the story's anguish. "It was far and away the most beautiful place he had ever seen," Rendell writes when Teddy--a gifted woodcrafter--first views the cottage. "The proportions of this hall, this room... the windows, the walls, the carpets, the flowers, the furniture, the paintings, all of it dazzled him."

Teddy is another of Rendell's frightening moral cripples, a seemingly ordinary person capable of the vilest crimes. When he becomes obsessed with Francine after meeting her at art school, we know to expect murder--we just aren't sure when, or who will be the victim. Equally vile is Julia, Francine's stepmother, a psychologist of such immense and malevolent ineptness that we would swear she couldn't possibly exist if real life hadn't taught us otherwise. Other important characters are Harriet, a faded beauty who connects the past to the present; Teddy's uncle Keith, who first recognizes the boy's madness; and a bright red, lovingly restored Edsel, which becomes a hearse.

Like all of her books, Rendell's latest is really about the secret acts of insanity that occur behind closed doors. Among her best books available in paperback are From Doon with Death, A Guilty Thing Surprised, The Keys to the Street, and, from the excellent Inspector Wexford series, Kissing the Gunner's Daughter, Road Rage, and Simisola. --Dick Adler