Singer-Songwriters and Musical Open Mics (Ashgate Popular and Folk Music Series)

Aldredge, Marcus

ISBN 10: 1409442721 / ISBN 13: 9781409442721

Published by Routledge, 2013

About this Item

This copy is INSCRIBED & SIGNED BY THE AUTHOR on the 1st free page. Black boards with lettering on spine. Binding is tight. Corners are sharp. Content is clean, no markings. DJ is in pristine condition. Includes: Contents, List of Maps, Tables and Figures, Bibliography, Index. 236 p. 6.7 x 9.5 x 0.75 inches. 1.28 lb. This copy is in pristine condition, Not read or open.

Seller Inventory # 040596

Bibliographic Details

• Title: Singer-Songwriters and Musical Open Mics (Ashgate Popular and Folk Music Series)
• Publisher: Routledge
• Publication Date: 2013
• Language: English
• ISBN 10: 1409442721
• ISBN 13: 9781409442721
• Binding: Hardcover
• Edition: 1st Edition.
• Condition: New
• Dust Jacket Condition: New
• Weight: 1.28 pounds
• Signed: Inscribed and Signed By the Au

About this title

Synopsis

Singer-Songwriters and Musical Open Mics is an ethnographic exploration of New York City’s live music events where musicians signup and perform short sets. This sociological study dispels the common assumption that open mics are culturally monolithic and reserved for novice musicians. Open mics allow musicians at different locations within their musical development and career to interactively perform, practice, and network with other musicians. Important themes in the book include: the tension between self and society in the creative process, issues of creative authenticity and authorship, and on-going cultural changes central to the Do-It-Yourself cultural zeitgeist of the early 21st century. The open mic’s cultural antecedents include a radio format, folk hootenannies, and the jazz jam session. Drawing from multiple qualitative methods, Aldredge describes how open mics have etched a vital organizational place in the western and urban musical landscape. Open mics represent a creative place where the boundaries of practicing and performing seemingly blur. This allows for a range of social settings from more competitive, stratified, and homogenous music scenes to culturally diverse weekly events often stretching late into the night.

About the Author

Marcus Aldredge is an Assistant Professor of Sociology at Iona College in New Rochelle, New York, USA. His articles have appeared in edited books and journals including Symbolic Interaction on a variety of expressive cultural practices. His general research interests focus on art/music, food practices, everyday deviance, and sociological theory.