The Black Birch
J. R. Solonche
Sold by True Oak Books, Highland, NY, U.S.A.
Association Member:
AbeBooks Seller since November 5, 2021
Used - Soft cover
Condition: Used - Very good
Ships within U.S.A.
Quantity: 1 available
Add to basketSold by True Oak Books, Highland, NY, U.S.A.
Association Member:
AbeBooks Seller since November 5, 2021
Condition: Used - Very good
Quantity: 1 available
Add to basketSigned by Author; Signed by author! - Great overall condition. Minor cosmetic wear. No noteworthy blemishes. No writing.; - We offer free returns for any reason and respond promptly to all inquiries. Your order will be packaged with care and ship on the same or next business day. Buy with confidence.
Seller Inventory # TOB203-22927-A-1.49
Michael Meyerhofer, author of What To Do If You're Buried Alive and Poetry Editor of Atticus Review
Solonche proves his claim, “I have a thousand arrows in the quiver of my silence.” Crafting poems straight and slant, he zeroes in on everyday events—a friend’s offhand remark, a shadow against a window, planting an iris, driving through a rainstorm—in poems which can veer suddenly, often with irony and humor, into the great questions. He loves to upend expectations, pose koan-like questions, make us laugh out loud, go “against the grain…./ For the pure spite of it.” But the great beauty of the world shines here, too—its flowers, trees, birds, insects, seasons, weather. The Black Birch even features “the only poems you will need about” a variety of topics, as when he compares tombstones to “…pieces / of The Game / put back in the box / when the game is done.” A volume quirky and delightful, with a sting and a heart.
Mary Makofske, author of World Enough, and Time
In The Black Birch, J.R. Solonche shows himself to be a man of many guises: part zen master with his pocket full of koans, and part trickster, if the trickster could be part comedian and part stenographer, and if the stenographer could be part wild animal and part venerable scribe, and if that scribe could be the kind who improves the most sacred text by doodling in the margins. The wordplay and the humor and the direct observations allow the lucky reader to see the world again, as both child and sage, though Solonche might argue that there's no difference.
Stephen Cramer, winner of the National Poetry Series for Shiva's Drum and the Louise Bogan Award for Bone Music
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