Four Basic Kinds of Straight Lines

LEWITT, Sol

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16 black & white plates. [32] pp. Square 4to (200 x 200 mm.), orig. illustrated semi-stiff wrappers (extremities a bit worn), staple-bound. London: Studio International, 1969. An extremely rare signed copy of this early Sol LeWitt (1928-2007) artist s book, he has inscribed the verso of the final leaf: "For Sid Tillim / Sol LeWitt." Sidney Tillim (1925-2001) was an influential art critic and artist who wrote for Artforum and Arts Magazine. This is LeWitt s fifth book, but the third standalone publication not originating from an exhibition or periodical. "The front cover of Four Basic Kinds of Straight Lines is an exemplary statement of the compositional elements: vertical lines, horizontal lines and the two sets of diagonal lines. The proportions are immaculate. The back cover, in turn, states the narrative: one square with lines in one direction, a second with two kinds of lines overlaid, a third with three kinds and the fourth with all kinds superimposed; it too is superbly clear and perfectly designed… "The first page [of the book] after the cover reveals a grid of 16 squares, and functions rather like a contents page. Fifteen of the squares declare the elements of the work: the four basic kinds of lines, the six combinations of two kinds of line, the four combinations of three lines, and the single square with all four lines. The 16th square contains the title of the work. This is comparable to a magician showing their audience that they have nothing up their sleeve before they begin their act. In LeWitt s case he proceeds from this introductory page to show us exactly what was prefigured on the contents page, except that each of the 15 components is now blown up and bled off, one to a page. But while there is, therefore, no surprise, there is magic. This magic lies in the completeness of the scenario, its simplicity and clarity, its capacity for re-enactment, the beauty of its design and execution, and the perfect physical qualities of the book…This book, like much of LeWitt s art, has a stability, also a rightness. Nothing can be, or needs to be, taken away; it is a clear and beautiful expression of his idea." Clive Phillpot, "Sol LeWitt s Books: Complete & Incomplete," in Booktrek: Selected Essays on Artists Books (1972-2010) (2013), pp. 261-62. A remarkable signed copy of LeWitt s third autonomous publication. Near fine, but for some wear to the extremities, traces of green paint(?) to lower wrapper, and small dampstain to the wrappers. ? G. Maffei & E. de Donno, Sol LeWitt: Artist s Books (2009), pp. 32-33. Sol LeWitt: Libros, El Concepto Como Arte (2014), Libros de Artista no. 5 (pictured p. 58). Seller Inventory # 8680

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Title: Four Basic Kinds of Straight Lines
Signed: Signed by Author(s)

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Sol LEWITT.
Published by Studio International., 1969
Used Softcover Signed

Seller: Tim Byers Art Books, Richmond, United Kingdom

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pp. (32). Black and white line drawings reproduced throughout. Early artist book by Sol LeWitt. ÒThese drawings, using parallel lines closely drawn, were used to make a finite series. The directions of the lines (vertical, horizontal, and two further 45-degree diagonals) were absolute possibilitiesÓ (from, Sol LeWitt, MoMA New York 1978). This copy signed in pen by LeWitt on final imprint page. From the collection of Ira Licht. [Ref. Knstler Bcher I. Krefelder Kunstmuseen, p. 92, no. 4; Maffei - Sol LeWitt ArtistÕs Books, pp. 32-33]. PublisherÕs wrappers, stapled. Small area of creasing to front cover, otherwise a very good copy. Seller Inventory # 1747

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LEWITT, Sol
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Seller: Jonathan A. Hill, Bookseller Inc., New York, NY, U.S.A.

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16 black & white plates. [32] pp. Square 4to (200 x 200 mm.), orig. illustrated semi-stiff wrappers (spine sunned & a trifle stained), staple-bound. London: Studio International, 1969. One of LeWitt's earliest artist's books, remarkably well-preserved. This is the artist's fifth book, but the third standalone publication not originating from an exhibition or periodical. It is now scarce on the market. "The front cover of Four Basic Kinds of Straight Lines is an exemplary statement of the compositional elements: vertical lines, horizontal lines and the two sets of diagonal lines. The proportions are immaculate. The back cover, in turn, states the narrative: one square with lines in one direction, a second with two kinds of lines overlaid, a third with three kinds and the fourth with all kinds superimposed; it too is superbly clear and perfectly designed "The first page [of the book] after the cover reveals a grid of 16 squares, and functions rather like a contents page. Fifteen of the squares declare the elements of the work: the four basic kinds of lines, the six combinations of two kinds of line, the four combinations of three lines, and the single square with all four lines. The 16th square contains the title of the work. This is comparable to a magician showing their audience that they have nothing up their sleeve before they begin their act. In LeWitt's case he proceeds from this introductory page to show us exactly what was prefigured on the contents page, except that each of the 15 components is now blown up and bled off, one to a page. But while there is, therefore, no surprise, there is magic. This magic lies in the completeness of the scenario, its simplicity and clarity, its capacity for re-enactment, the beauty of its design and execution, and the perfect physical qualities of the bookThis book, like much of LeWitt's art, has a stability, also a rightness. Nothing can be, or needs to be, taken away; it is a clear and beautiful expression of his idea."Clive Phillpot, "Sol LeWitt's Books: Complete & Incomplete," in Booktrek: Selected Essays on Artists' Books (1972-2010) (2013), pp. 261-62. A near fine copy; faint wear to the extremities and some discoloration to the spine. ? G. Maffei & E. de Donno, Sol LeWitt: Artist's Books (2009), pp. 32-33. Sol LeWitt: Libros, El Concepto Como Arte (2014), Libros de Artista no. 5 (pictured p. 58). Seller Inventory # 8110

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LeWitt, Sol
Used First Edition

Seller: Marcus Campbell Art Books, London, United Kingdom

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First Edition. Both 20 x 20cm. Paperbacks, [32pp], [34pp]. Slight suggestion of foxing to covers, otherwise very good. 1969 and 1971 respectively. Two of LeWitt's earliest artist's books. A striking experiment in printing - fully illustrated with the bare minimum of text. The first contains fine black and white illustrations composed entirely of closely spaced lines of varying directions, giving the impression of different textures, and the second introduces colour into the proceedings. Seller Inventory # 26829

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