The List

When attorney-turned-novelist Abby Chandlis searches for a charismatic man to pose as Gable Cooper, the phantom author of the blockbuster thriller she has written, she encounters Jack Jermaine, a dangerous man obsessed with writing a best-selling novel. 300,000 first printing. Lit Guild, Doubleday, & Mystery Guild Main.

So you thought it was all fun and games having a breakout novel? Come listen to Martini, on leave from his series about defense attorney Paul Madriani (The Judge, 1996, etc.), spin this wild and wooly tale of a pseudonym caper from hell. Life hasn't been kind to Abby Chandlis. She's going nowhere in her Seattle law firm; her second career as a novelist is stalled; her shiftless ex is behind in his payments, leaving her dining on cat food. But Abby has an ace in the hole: a new novel that could hit the bestseller list with the force of a pile- driver. Could hit, if only Abby weren't so unglamorous (she's pushing 40), so shopworn (those old novels turn out to be worse than no help), so unpromotable. So Abby and her roommate Theresa decide to find a front, some male model who'll masquerade as ``Gable Cooper'' for a percentage of a take that stretches higher than Jack's beanstalk. And even though the front that Abby ends up with, soldier-of-fortune/failed novelist Jack Jermaine, isn't exactly what she was looking for, the two storm through a brightly malicious pipe dream of literary celebrity, as Abby sticks like glue to her supposed client's side while big-ticket agents, publishers, and producers fight over them like so many jackals. But even before take-charge Jermaine spirits his dazzled ghostwriter off to the Caribbean for some sun and sex, clouds have gathered on the horizon. Theresa has died in a suspicious accident that seems meant for Abby; Theresa's low-life husband Joey follows apace; the Seattle police are looking for Abby; so is a scandal-sheet reporter; and finally Abby wonders whether her own legal claim to her chart-busting novel might be a lot more slender than she thought--and might be based a little too exclusively on the testimony of her late friend. Absolutely irresistible balderdash--The Pelican Brief for everybody who isn't John Grisham. (First printing of 400,000; $350,000 ad/promo; Literary Guild/Mystery Guild main selection) -- Copyright ©1996, Kirkus Associates, LP. All rights reserved.

Attorney-turned-novelist Martini (Undue Influence, LJ 6/15/94) writes about attorney-turned-novelist Abby Chandlis, who stretches the practice of ghost-writing to an extreme and perilous level. Fearful that glamour instead of grammar sells books in today's shallow publishing industry, Chandlis creates Gable Cooper, a strong, handsome, but definitely fictitious alter ego who as "author" of her new novel should assure its success. Possessed of these qualities, rugged Jack Jermaine seems ideal for the role. However, his spooky past and dangerous tendencies soon cause Abby to regret the entire scheme. This is a competent thriller, but many readers may find difficulty sympathizing with protagonist Chandlis. Recommended only for comprehensive suspense collections.?John Noel, Tennessee Tech Univ. Lib., Lebanon
Copyright 1997 Reed Business Information, Inc.

In a change of venue from his courtroom settings, Martini embeds his latest mystery in the cynical world of blockbuster-book publishing. The premise: Abby Chandlis discovers that literary agents, hitherto bored by her thriller, perk up when she hides her authorship and attributes it to a male writer. Apparently nothing sells better than a first novel from a hunk with face-by-Fabio. She must tell somebody about her scam, if only to protect her contracts and copyrights, so Abby chooses reliable Morgan Spencer from her Seattle law firm. She also confides in her pal Theresa. While Morgan handles the paperwork, Abby hires a low-IQ beefcake, who then passes on the poseur's role to his brother, Jack Jermaine, an ex^-special forces marine schooled in sabotage and deception. Ducks finally in a row, Abby and Jack go to New York and succesfully hoodwink the agent and the "Big-F" publishing company, who then showers Abby with millions and demands for an instant sequel. Abby repairs to St. Croix to work on it, but she becomes terrified by her discoveries about Jack's background and his possible presence at the suspicious murders of Theresa and her ex-husband. Martini deftly conceals the killer until the flaming finale. His satirical skewering of high-octane publishing only increases this book's "buzz," which the real publisher's all-fronts publicity offensive will strive to amplify--and justify--in a 400,000-copy press run. Gilbert Taylor