First highlighted in The New Yorker fiction issue, here is award-winning writer Nell Freudenberger’s debut story collection
Lucky Girls is a collection of five novella-like stories, which take place mostly in Asia. The characters―expatriates, often by accident―are attracted to the places they find themselves in a romantic way, or repelled by a landscape where every object seems strange. For them, falling in love can be inseparable from the place where it happens.
Living according to unfamiliar rules, these characters are also vulnerable in unique ways. In the title story, a young woman who has been involved in a five-year affair with a married Indian man feels bound to both her memories and her adopted country after his death. The protagonist of “Outside the Eastern Gate” returns to her childhood home in Delhi, to find a house still inhabited by the impulsive, desperate spirit of her mother, who left her family for a wild journey over the Khyber Pass to Afghanistan. In “Letter from the Last Bastion,” a teenage girl begins a correspondence with a novelist who’s built his reputation writing about his experiences as a soldier in Vietnam and who, in his letters, confides in her a secret about his past.
Highly anticipated in the literary community and beyond, Lucky Girls marks the debut of a very special talent that places her among today’s most gifted young writers.
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Nell Freudenberger knows from lucky girls. She has had a lot of luck herself in her short writing career: Her debut story was featured in The New Yorker, with a glossy full-color author photo alongside; a quick book contract ensued, on the strength of that one published story; and now comes a debut collection full of stories that are actually good. The Lucky Girls collected here are far-flung Americans, young women trying to figure out where they belong in the world. In "The Tutor," teenage Julia and her businessman father are living in Bombay; her mother has returned to the United States. Julia crams for the SATs with her tutor Zubin, smokes cigarettes, and goes to nightclubs; her father hovers at home. Freudenberger gets just right the moments when Julia and her father find themselves alone together, trying to be a family: "It was just the two of them at the table then; even with the leaves taken out and stored against the wall in the coat closet, they had to half-stand in order to pass the soup." Too, she knows the upper-class world of which she writes. In "The Orphan," Mandy's parents and brother come to visit her in Thailand, where she is working with "AIDS babies." Mandy's brother Josh appears, and Freudenberger skewers his type, neatly, in a sentence: "Josh looks like someone coming out of trench warfare in the Balkans, rather than college in Maine." But Freudenberger isn't telling easy rich-kid stories. She's forever pushing her narration. In "The Tutor," we hear from Zubin, an overeducated Indian, as well as from Julia. "The Orphan," in turn, is told by Mandy's mom, a woman bewildered by yet proud of her daughter's choice to remain in Thailand. Freudenberger's stories are cosmopolitan, expansive, and richly detailed, a beguiling combination of qualities. --Claire Dederer
These five stories follow young women living far from home, coping with new and often unfamiliar rules, as they confront the compelling circumstances of adult love. The rich, unforgettable tales in this collection, set in Southeast Asia and on the Indian subcontinent, showcase a writer of exceptional talent, one of today's most gifted and exciting young voices.
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