The Journal of Joyce Carol Oates, edited by Greg Johnson, offers a rare glimpse into the private thoughts of this extraordinary writer, focusing on excerpts written during one of the most productive decades of Oates's long career. Far more than just a daily account of a writer's writing life, these intimate, unrevised pages candidly explore her friendship with other writers, including John Updike, Donald Barthelme, Susan Sontag, Gail Godwin, and Philip Roth. It presents a fascinating portrait of the artist as a young woman, fully engaged with her world and her culture, on her way to becoming one of the most respected, honored, discussed, and controversial figures in American letters.
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Joyce Carol Oates is a recipient of the National Medal of Humanities, the National Book Critics Circle Ivan Sandrof Lifetime Achievement Award, the National Book Award, and the PEN/Malamud Award for Excellence in Short Fiction, and has been several times nominated for the Pulitzer Prize. She has written some of the most enduring fiction of our time, including the national bestsellers We Were the Mulvaneys, Blonde, which was nominated for the National Book Award, and the New York Times bestseller The Falls, which won the 2005 Prix Femina. Her most recent novel is A Book of American Martyrs. She is the Roger S. Berlind Distinguished Professor of the Humanities at Princeton University and has been a member of the American Academy of Arts and Letters since 1978.
Starred Review. Writing is... a drug, sweet, irresistible, and exhausting, writes Oates in this fascinating and significant record of an artist's life. She was 34 when she began this experiment in consciousness, which follows the gestation and writing of many of her most important works. Oates, readers come to realize, is intensely disciplined, exquisitely sensitive, unflaggingly—almost morbidly—introspective, concerned with philosophical issues, attuned to mysticism and acutely responsive to the natural world. Although she abhors being described as prolific, she writes daily, with feverish energy; she herself uses the word obsessed. If a day or two passes when she isn't writing, she feels profound worthlessness. Teaching, she reveals, is a vital component of her well-being, although it often leaves her exhausted. The journal records her relationships with contemporary authors, including Philip Roth, Susan Sontag, John Updike, Gail Godwin, Stanley Elkin, John Gardner and Donald Barthelme. She is candid about her intensely intimate marriage to Raymond Smith, her lack of maternal instinct and the hours she spends at the piano, an obsession almost equal to her writing. Overall, this journal immerses the reader in a complex, searching, imaginative personality—an artist who continues to refine her search for literary expression. 16 pages of b&w photos. (Oct. 2)
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