Finally returned to print in a beautiful new trade paperback edition, comes Joyce Carol Oates’ lost classic: a satirical, often surreal, and beautifully plotted Gothic Romance that follows the exploits of the audacious Zinn sisters, whose 19th century pursuit of adventurous lives turns a lens on contemporary American culture.
Set in a nineteenth century similar to our own, A Bloodsmoor Romance follows the beautiful Zinn sisters, five young women who refuse―for the most part―”the obligations of Christian marriage.”
Full of Oates’s mordant wit and breathlessly told in the Victorian style by an unnamed narrator shocked by the Zinn sisters’ sexuality, impulsivity, and rude rejection of the mores of their time, A Bloodsmoor Romance is a delicious filigree of literary conventions, “a novel of manners” in the tradition of Austen, Dickens, and Alcott which Oates turns on its head.
Oates’s dark romp interweaves murder and mayhem, ghosts, and abductions, substance abuse and gender identity, women’s suffrage, the American spiritualist movement, and sexual aberration, as the Zinn sisters come into contact with some of the 19th century’s greatest characters, from Mark Twain to Oscar Wilde.
A biting assessment of the American landscape and a virtuosic transformation of a literary genre, A Bloodsmoor Romance is a compelling, hilarious, and magical anti-romance―Little Women by way of Stephen King.
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Finally returned to print, Joyce Carol Oates's lost classic: the satirical, often surreal, and beautifully plotted Gothic romance that follows the exploits of the audacious Zinn sisters, whose nineteenth-century pursuit of adventurous lives turns a lens on contemporary American culture
When their sister is plucked from the shores of the Bloodsmoor River by an eerie black-silk hot air balloon that sails in through a clear blue sky, the lives of the already extraordinary Zinn sisters are radically altered. The monstrous tragedy splinters the family, who must not only grapple with the mysterious and shameful loss of their sister and daughter but also seek their way forward in the dawn of a new era—one that includes time machines, the spirit world, and the quest for women's independence.
Breathlessly narrated in the Victorian style by an unnamed narrator who is herself shocked and disgusted by the Zinn sisters' sexuality, impulsivity, and rude rejection of the mores of the time, the novel is a delicious filigree of literary conventions, "a novel of manners" in the tradition of Austen, Dickens, and Alcott, which Oates turns on its head. Years ahead of its time, A Bloodsmoor Romance touches on murder and mayhem, ghosts and abductions, substance abuse and gender identity, women's suffrage, the American spiritualist movement, and sexual aberration, as the Zinn sisters come into contact with some of the nineteenth century's greatest characters, from Mark Twain to Oscar Wilde.
Pure Oates in its mordant wit, biting assessment of the American landscape, and virtuosic transformation of a literary genre we thought we knew, A Bloodsmoor Romance is a compelling, hilarious, and magical antiromance, a Little Women wickedly recast for the present day.
Joyce Carol Oates is a recipient of the National Medal of Humanities, the National Book Critics Circle Ivan Sandrof Lifetime Achievement Award, the National Book Award, and the PEN/Malamud Award for Excellence in Short Fiction, and has been several times nominated for the Pulitzer Prize. She has written some of the most enduring fiction of our time, including the national bestsellers We Were the Mulvaneys, Blonde, which was nominated for the National Book Award, and the New York Times bestseller The Falls, which won the 2005 Prix Femina. Her most recent novel is A Book of American Martyrs. She is the Roger S. Berlind Distinguished Professor of the Humanities at Princeton University and has been a member of the American Academy of Arts and Letters since 1978.
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