Taking us from 1936 to 1999, The Accordionist’s Son, heralded by the Times Literary Supplement as “the first great Basque novel,” is a beautiful and gripping tale of a town, a family, an incredible friendship and a people whose culture is slowly dying.
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Bernardo Atxaga was born in Gipuzkoa in Spain in 1951 and lives in the Basque Country, writing in Basque and Spanish. He is a prizewinning novelist and poet, whose books, including Obabakoak and Seven Houses in France, have won critical acclaim in Spain and abroad. His works have been translated into twenty-two languages. Margaret Jull Costa has been a literary translator from Spanish and Portugese for over twenty years, translating such writers as Jose Saramago, Eca de Queiroz, Luis Fernando Verissimo and Fernando Pessoa. Her work has brought her a number of prizes, the most recent of which was the 2010 Premio Valle-Inclan for Javier Marias' Your Face Tomorrow 3: Poison, Shadow and Farewell.
Starred Review. Axtaga returns to Obaba, the fictional village at the heart of his acclaimed novel Obabakoak, to tell a gorgeous and ambitious story about the Basque land and language. Much of the book is set in the 1960s, when David Imaz, the teenage son of an accordionist, begins to suspect his father participated in the execution of villagers accused of being Republicans during the Spanish Civil War. Twenty-five years after the war officially ended, political—even inadvertently political—choices remain deadly, but fear of Franco's civil guard neither darkens the innocence or exuberance of the young nor lightens the guilt of their parents. In Obaba, grudges and friendships are long-lasting and deep, and secrets are buried only shallowly. The narrative moves back and forth through time, from the 1990s, when gravely ill David reflects on his life from a ranch in California, to the war in the 1930s and through David's sometimes dangerous coming-of-age up through the 1970s. Originally written in Basque (and later translated into Spanish), the novel is a worthy addition to both Axtaga's body of work and the Basque canon. (Feb.)
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Paperback. Condition: Very Good. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. David Imaz, the protagonist in The Accordionist's Son, was raised in the village of Obaba and is now living in exile on a ranch in California. Nearing fifty and in failing health, he decides to write the story of his youth, a narrative that takes the reader from 1936 to 1999. David's pastoral childhood in Obaba is ruptured when, as a teenager forced to learn the accordion (like his father), he finds a letter implicating his father in fascist activities during the Spanish Civil War, including the execution of local republican sympathizers. This letter leads to other discoveries - like the fact that David's uncle opposed his father's activities - and Obaba's history slowly cracks open to reveal to David the political tensions still raw beneath the surface, and the long shadow cast by the war. With The Accordionist's Son, Atxaga delivers a politically charged and deeply personal novel - It is his finest work to date. Seller Inventory # RWARE0000056877
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