After the tragic deaths of their parents, Magdalen and Norah discover the devastating news that they are both illegitimate and not entitled to any inheritance. Norah is forced to become a governess to earn her keep but Magdalen has grander plans and embarks on an elaborate scheme of revenge against her cold-hearted relatives.
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Wilkie Collins's investigation of illegitimacy and 'the woman question' in No Name (1862) compels with a wholly different order of suspense from that of The Woman in White or The Moonstone. For its family secret - the Vanstone daughters' illegitimacy, their consequent disinheritance and fall from social grace - is revealed early on, and as Magdalen Vanstone struggles to reclaim her identity, the plot uncovers many a moral, social and legal skeleton in the cupboards of Victorian society. Mercurial and unscrupulous, Magdalen is Wilkie Collins's most exhilarating heroine, one of the rare subversives in Victorian fiction and a woman dazzlingly versatile in her powers of self-transformation. Through her, with great comic vigour, No Name exposes how social identity is constructed, and how it can be dismantled, buried, borrowed or invented.
Wilkie Collins was born in London on January 8, 1824. His father was the landscape painter William Collins. After school he worked for a tea merchant before studying to become a lawyer. In 1848 he published a biography of his father and his first novel, Antonina, followed in 1850. In 1851 he met Charles Dickens who would later edit and publish some of his novels. Collins's novels were extremely popular in his own time as well as now. The Woman in White (1859), No Name (1862), Armadale (1866) and The Moonstone (1868) are his best known works. Collins was linked with two women (one of whom bore him three children) but he never married. He died on September 23, 1889.
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