About the Author:
In 1972, Heinrich Böll became the first German to win the Nobel Prize for literature since Thomas Mann in 1929. Born in Cologne, in 1917, Böll was reared in a liberal Catholic, pacifist family. Drafted into the Wehrmacht, he served on the Russian and French fronts and was wounded four times before he found himself in an American prison camp. After the war he enrolled at the University of Cologne, but dropped out to write about his shattering experiences as a soldier. His first novel, The Train Was on Time, was published in 1949, and he went on to become one of the most prolific and important of post-war German writers. His best-known novels include Billiards at Half-Past Nine (1959), The Clown (1963), Group Portrait with Lady (1971), and The Safety Net (1979). In 1981 he published a memoir, What’s to Become of the Boy? or: Something to Do with Books. Böll served for several years as the president of International P.E.N. and was a leading defender of the intellectual freedom of writers throughout the world. He died in June 1985.
Jessa Crispin is the editor and founder of Bookslut.com. She is also a reviewer for NPR’s “Books We Like,” and her writing has appeared in The Washington Post, The Chicago Sun-Times, The Guardian, and The Toronto Globe and Mail, among other publications. She lives in Berlin.
Review:
Novel by Heinrich Boll, first published in German as Billard um halbzehn in 1959. In its searing examination of the moral crises of postwar Germany, the novel resembles Boll's other fiction; its interior monologues and flashbacks, however, make it his most complex work. The novel examines the lives of three generations of architects and their responses to the Nazi regime and its aftermath. The present-day action takes place on the 80th birthday of patriarch Heinrich Fahmel, who built St. Anthony's Abbey. At the end of World War II, his son Robert destroyed the abbey to protest the church's complicity with the Nazis; Robert's son, Joseph, is serving his apprenticeship by helping to restore St. Anthony's. All three characters confront their relationship to building and destruction, as well as their personal and historical past. -- The Merriam-Webster Encylopedia of Literature
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