Le Carré's Panama—the young country of 2.5 million souls which, on December 31, 1999, will gain full control of the Panama Canal—is a Casablanca without heroes, a hotbed of drugs, laundered money and corruption.
Seldom has the weight of the global politics descended so heavily on such a tiny and unprepared nation. And seldom has the hidden eye of British Intelligence selected such an unlikely champion as Harry Pendel—a charmer, a dreamer, an evader, a fabulist and presiding genius of the house of Pendel & Braithwaite Co. Limitada, Tailors to Royalty, formerly of London and presently of Panama City.
Yet there is a logic to the spies' choice. Everybody who is anybody in Central America passes through Pendel's doors. He dresses the Panamanian President, and the General in Charge of U.S. Southern Command. He dresses politicos and crooks and conmen. His fitting room hears more confidences than a priest's confessional. And when Harry Pendel doesn't hear things as such—well, he hears them anyway, by other means.
For what is a tailor for, if not to disguise reality with appearance? What is truth if not the plaything of the artist? And what are spies and politicians and journalists if not themselves selectors and manipulators of the truth for their own ends?
In a thrilling, hilarious novel, le Carré has provided us with a satire about the fate of truth in modern times. Once again, he has effortlessly expanded the borders of the spy story to bring us a magnificent entertainment straight out of the pages of tomorrow's history.
"synopsis" may belong to another edition of this title.
John le Carré, the greatest spy novelist of the Cold War era, continues his post-Cold War quest to define the genre he helped perfect. The classic spy novel was essentially a story of good (England, the United States) vs. evil (Nazi Germany, the Soviet Union), in which good more or less prevailed. The Tailor of Panama is something else entirely: a spy novel with no spies in which the bad guys reap most of the rewards. It is also a viciously funny satire. The novel is set in Panama, where a plot is in place to make void the Panama Treaty, which would return control of the Panama Canal to the Panamanians in 1999. At the center of events is Harry Pendel, the tailor of the title. Coerced into working for British Intelligence, he concocts out of whole cloth a left-wing movement with the goal of luring the American military to do the dirty work--invade Panama à la 1989 and nullify the treaty. From the characters to the setting, le Carré has succeeded in setting new parameters for an old genre.
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