E.M.Forster's delightfully satiric comedy of manners A Room with a View is beautifully repackaged as part of the Penguin Essentials range. 'You love the boy body and soul, plainly, directly, as he loves you . . .' Lucy has her rigid, middle-class life mapped out for her until she visits Florence with her uptight cousin Charlotte, and finds her neatly ordered existence thrown off balance. Her eyes are opened by the unconventional characters she meets at the Pension Pertolini: flamboyant romantic novelist Eleanor Lavish, the Cockney Signora, curious Mr Emerson and, most of all, his passionate son George. Lucy finds herself torn between the intensity of life in Italy and the repressed morals of Victorian England, personified in her terminally dull fiancé Cecil Vyse. Will she ever learn to follow her own heart? A Room with a View is a sunny, brilliantly witty comedy of manners. 'He says, and even more implies, things that no other novelist does, and we can go on reading Forster indefinitely' The Times 'I loved it. My first intimation of the possibilities of fiction' Zadie Smith Edward Morgan Forster was born in London in 1879. He studied at King's College, Cambridge. He wrote six novels, four of which appeared before the First World War, Where Angels Fear to Tread (1905), The Longest Journey (1907), A Room with a View (1908) and Howard's End (1910). An interval of fourteen years elapsed before he published A Passage to India. It won both the Prix Femina Vie Heuruse and the James Tait Black Memorial Prize. He last novel, Maurice, was published posthumously in 1971. He also published two volumes of short stories and a number of non-fiction books. E. M. Forster died in 1970.
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A Room With a View portrays the love of a British woman for an expatriate living in Italy, a country which to Forster represents the forces of true passion. Caught up in a world of social snobbery, Forster's heroine, Lucy Honeychurch, finds herself constrained by the claustrophobic influence of her British guardians, who encourage her to take up with a well-connected boor. When she regrets that her hotel room has no view, a member of the lower class offers to trade rooms with her. Lucy becomes caught in a struggle between her own emotions and social conventions. In the end, however, Lucy takes control of her own fate and finds love with a man whose free spirit reminds her of a "room with a view".
There are some writers whose work is especially suitable for out-loud reading and E.M. Forster is one. His voices enter the ear with such a delicate balance of force and refinement that listeners are immediately enchanted.
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