How do the spaces in which science is done shape the identity of the scientist andthe self-conception of scientific fields? How do the sciences structure the identity of thearchitect and the practice of architecture in a specific period? And how does the design of spacessuch as laboratories, hospitals, and museums affect how the public perceives and interacts with theworld of science? The Architecture of Science offers a dazzling set of speculations on these issuesby historians of science, architecture, and art; architectural theorists; and sociologists as wellas practicing scientists and architects. The essays are organized into six sections: "Of Secrecy andOpenness: Science and Architecture in Early Modern Europe"; "Displaying and Concealing Technics inthe Nineteenth Century"; "Modern Space"; "Is Architecture Science?"; "Princeton after Modernism: TheLewis Thomas Laboratory for Molecular Biology"; and "Centers, Cities, and Colliders."
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Emily Thompson is a Professor of History at Princeton University.
The question before the house during a two-day conference at Harvard University in 1994 was, "How do the buildings of science literally and figuratively configure the identity of the scientist and scientific fields?" Perhaps it has no categorical answer, but the conferees--architects, scientists, sociologists and historians--offered plenty of possibilities. Galison (a professor of the history of science and physics at Harvard) and Thompson (an assistant professor of the history and sociology of science at the University of Pennsylvania) assemble in this book several of the papers delivered at the conference, plus a few others. Among the subjects discussed are 19th-century science buildings, modern space, whether or not architecture is a science, hospitals, the Fermi National Accelerator Laboratory in Batavia, Ill. ("a scientific project in which architecture was of crucial importance," according to its former director, Robert R. Wilson), and the Lewis Thomas Laboratory at Princeton University as compared with the nearby Center for Advanced Biotechnology and Medicine in Piscataway, N.J. Illustrations, many of them eye-catching as well as apposite, abound. "It is our collective hope," the editors say, "that this volume will encourage a great deal more inquiry into the encounters between architecture and science."
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