During World War Two a group of friends in New York would begin a cultural revolution. Over the following decades Jack Kerouac, Allen Ginsberg and William S. Burroughs would write their own masterpieces but taken together, as the Beats, they would also become a focal point for a literary explosion and a generation of revolution. Their story is explored through the graphic art of a variety of artists. The artwork in The Beats is as vibrant as the writing and lifestyles of the Beat movement itself, and is a tribute to a generation in a form and style as original as its subject. The Beats explores the political roots of the movement and its influence on the demand for women s rights, as well as its influence on other cultural forms: art and music.
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Harvey Pekar is best known for his graphic autobiography, American Splendor, based on his long-running comic-book series that was turned into a 2003 film of the same name. Paul Buhle is a senior lecturer at Brown University.
“Editor Paul Buhle’s graphic history The Beats—with riffs from cats such as Harvey Pekar and Trina Robbins—burns like a Roman candle.” —Vanity Fair “The Beats is as fresh and pertinent as the latest scholarly history, only far more entertaining.” —Studs Terkel “A new angle on a familiar story . . . [The Beats] gives the hipsters back their body language. In a book that is largely about license and the enlightened rebel, it is easy to find reflections of both in the graphic form.” —John Leland, The New York Times Book Review “Well researched and . . . absorbing.” —Richard Pachter, The Miami Herald “Eye-catching . . . An illustrated look back at a very real part of American pop-culture history, when beat culture of the ’40s and ’50s—sandwiched between the improvisational nature of jazz and the recklessness of rock ’n’ roll—began to speak to a part of a generation at odds with mainstream society. One word sums it up: Cool.” —Cary Darling, Fort Worth Star-Telegram “The Beats: A Graphic History is everything a radical history should be: critical, admiring, quirky and apologetic . . . From cover to cover, The Beats is a wonderful history of a complicated and misunderstood cultural movement—its achievements, its place in history, its flaws and its brilliance. The graphic novel format is perfect for the subject—straddling the line between respectability and disreputableness just as the Beats themselves did.” —Cory Doctorow, BoingBoing “History with a deeper perspective . . . This fearless, substantial history entertains as it uncovers.” —Carlo Wolff, The Boston Globe “Combines nuts-and-bolts prose with outstanding art . . . The Beats manages to make the scene new again on the sheer strength of artistic play.” —Richard Gehr, Columbia Journalism Review “This lively graphic history spotlights the 1950s youth revolt that said no to conformity and opened the way to a new world of unfettered imagination.” —Franklin Rosemont, cofounder of the Chicago Surrealist Group “Capturing the flavor of that poetic era with style and wit, The Beats is a slice of countercultural history that’s enhanced by its unique visual format.” —Paul Krassner, author of One Hand Jerking: Reports from an Investigative Satirist “This graphic history has a grittiness and attention to difficult anecdote that brings a classic American romantic venture, with all its deviant sexual and economic ‘crazy wisdom,’ down to the gritty realism of pen-and-ink earth.” —Edward Sanders, author of America: A History in Verse “Turns hipster history into a digestible, fun read.” —Kathleen Pierce, Lowell Sun (Massachusetts) “At its best, which is quite good indeed, The Beats reflects the creative energy of the movement it chronicles.” —Peter Gutiérrez, Graphic Novel Reporter “The Beats stands as an ambitiously constructed, clever tribute.” —Matthew Schniper, Colorado Springs Independent “The Beats serves to introduce an American cultural phenomenon to a new audience while giving some of its less well-known players fresh exposure . . . The comics celebrate the individuals that made up the anti-establishment of the times and whose art and social action outlives them. The stories are drawn by an eclectic mix of cartoonists and told by characters—including Pekar—every bit as individualistic as their subjects.” —Cabbage Rabbit, Cabbage Rabbit Review of Books & Music “A well-informed, engaging, and dynamic presentation of the core precursors and descendants of the Beat ethos in both literary and popular American life . . . Belongs in every library where any Beat literature has a home. This is a perfect gateway to both the art and the era for today’s teens to access the Beat world.” —Francisca Goldsmith, School Library Journal
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Paperback. Condition: Very Good. During World War Two a group of friends in New York would begin a cultural revolution. Over the following decades Jack Kerouac, Allen Ginsberg and William S. Burroughs would write their own masterpieces but taken together, as the Beats, they would also become a focal point for a literary explosion and a generation of revolution.Their story is explored through the graphic art of a variety of artists. The artwork in The Beats is as vibrant as the writing and lifestyles of the Beat movement itself, and is a tribute to a generation in a form and style as original as its subject.The Beats explores the political roots of the movement and its influence on the demand for women's rights, as well as its influence on other cultural forms: art and music. Among the contributors Harvey Pekar created American Splendor, his graphic autobiography, which was drawn by Ed Piskor among others. Peter Kuper draws for Mad magazine while Jeffrey Lewis is a singer-songwriter, as well as an artist. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR002463488
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Seller: Libereso, Amsterdam, Netherlands
Softcover. Almost as new. 199 pp During World War Two a group of friends in New York would begin a cultural revolution. Over the following decades Jack Kerouac, Allen Ginsberg and William S. Burroughs would write their own masterpieces but taken together, as the Beats, they would also become a focal point for a literary explosion and a generation of revolution.Their story is explored through the graphic art of a variety of artists. Seller Inventory # 191805700
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Seller: Burwood Books, Wickham Market, United Kingdom
Paperback. Condition: Fine. First U.k. Edition. Paperback. 8vo. pp 199. Large format paperback. Neat note in the hand of Ronald Searle (1920 Ð 2011) British artist, illustrator and satirical cartoonist on the half title page, "from Ernest Hecht." ISBN: 0285638580 Fine. Seller Inventory # C60522
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