On a misty London afternoon in 1886, piano tuner Edgar Drake receives a strange request from the War Office: he must leave his wife, and his quiet life in London, to travel to the jungles of Burma to tune a rare Erhard grand piano. The piano belongs to Surgeon-Major Anthony Carroll, an enigmatic British officer, whose success at making peace in the war-torn Shan States is legendary, but whose unorthodox methods have begun to attract suspicion. So begins the journey of the soft-spoken Edgar across Europe, the Red Sea, India, Burma, and at last into the remote highlands of the Shan States. En route he is entranced by the Doctor's letters and by the shifting cast of tale-spinners, soldiers and thieves who cross his path. As his captivation grows, however, so do his questions: about the Doctor's true motives, about an enchanting and elusive woman who travels with him into the jungle, about why he came. And, ultimately, whether he will ever be able to return home unchanged to the woman who awaits him there ...Sensuous and lyrical, rich with passion and adventure, "The Piano Tuner" is an unforgettable and haunting novel.
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Daniel Mason's debut novel, The Piano Tuner, is the mesmerizing story of Edgar Drake, commissioned by the British War Office in 1886 to travel to hostile Burma to repair a rare Erard grand piano vital to the Crown's strategic interests. Eccentric Surgeon-Major Anthony Carroll has brokered peace with local warlords primarily through music, a free medical clinic, and the "powers" of common scientific instruments, much to the dismay of warmongering officers suspect of such unorthodox methods. Drake is an introspective, well-mannered soul who, once there, falls in love with Burma and stays long past the piano-fixing to aid Carroll's political agenda. Drake's arduous journey to reach the outpost, however, takes far too long (nearly half the book) and the plotting is rather heavy-handed at times (one night, Drake learns of a mysterious "Man with One Story" who rarely speaks, and the very next morning the Man tells all to Drake). The story is ambitious, the language florid and sure to please, but the dialogue and melodrama are sometimes tedious. While out on the town with Carroll's love interest, Khin Myo (who enchants Drake), Mason offers the townspersons' view of Drake:
It is only natural that a guest be treated with hospitality, the quiet man who has come to mend the singing elephant is shy, and walks with the posture of one who is unsure of the world, we too would keep him company to make him feel welcome, but we do not speak English.... They say he is one of the kind of men who has dreams, but tells no one.Drake's complexity is thin; perhaps the beauty of Burma takes over any real need for introspection. Despite these quibbles, The Piano Tuner is a memorable achievement. --Michael Ferch
"Daniel Mason has woven together an elegant and unusually engrossing story, one that offers the reader the best possible journey–into a world that no longer exists. Rich, atmospheric, and evocative of the sights, smells and textures of 19th century Burma, The Piano Tuner is an astonishingly accomplished first novel. I truly enjoyed it."
–Arthur Golden, author of Memoirs of a Geisha
"A rattling good story, complex characterizations, and a brilliantly realized portrayal of an alien culture–all combine to dazzling effect in this first by a California medical student who has worked and studied in the Far East. Piano tuner Edgar Drake undertakes his journey (thrillingly described), arriving at the inland fortress where the suave Dr. Anthony Carroll–part Albert Schweitzer, part Mistah Kurtz of Heart of Darkness–rules as a benevolent despot, aided by a beautiful Burmese woman to whom Edgar finds himself increasingly attracted. A wealth of information–musical, medical, historical, political–and numerous colorfully detailed vignettes of life in Burma's teeming cities and jungle villages provide a solid context for the intricate plot, which brings Drake into 'complicity' with Carroll's visionary dream...until the powerful denouement [and the] deeply ironic climactic action. (One keeps thinking of what a marvelous movie The Piano Tuner might make.) . . . An irresistible amalgam of Kipling, Rider Haggard, and Conrad at their very best. Masterful."
–Kirkus (starred review)
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