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More than any other of the classic masters of music except perhaps Bach, Mozart continues to be the subject of intensive investigation.
The introduction is an essay on the special nature of Mozart's genius. Erich Hartzmann leads us into the composer's workshop; Edward E. Lowinsky and Hans T. David analyze his rhythm and harmony; Nathan Broder describes the instrument for which the piano works were written; Ernst Fritz Schmid contrasts Mozrt's personality and output with those of his friend and older contemporary, Haydn; Friedrich Blume unravels the tangled skein of the creation of the requiem; Frederick W. Sternfeld establishes the relationship between Papageno's song and Bach's motet Singet dem Herren ein neues lied; Nathan Broder assesses A. E. Muller's Guide to the accurate performance of Mozartean Piano Concertos; and Otto Erich Deutsch investigates the errors and fallacies in Mozart biography.
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More than any other of the classic masters of music except perhaps Bach, Mozart continues to be the subject of intensive investigation. Every phase of this career and output, the workings of his mind, and his relations with other composers are being studied by scholars in various countries.
About the Author:
The late Paul Henry Lang ranks among the century's most eminent musicologists. A longtime faculty member at Columbia University, he also served as editor of the Musical Quarterly and as music critic for the New York Herald Tribune.
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- PublisherW. W. Norton & Company
- Publication date1991
- ISBN 10 0393002187
- ISBN 13 9780393002188
- BindingPaperback
- Number of pages154
- EditorLang Paul Henry
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