The Metamorphoses - Softcover

Ovid

Softcover

ISBN 10: 0451622170 ISBN 13: 9780451622174

Publisher: Signet, 1960

Synopsis

The first female translator of the epic into English in over sixty years, Stephanie McCarter addresses accuracy in translation and its representation of women, gendered dynamics of power, and sexual violence in Ovid's classic.

A Penguin Classic Hardcover

Ovid's Metamorphoses is an epic poem, but one that upturns almost every convention. There is no main hero, no central conflict, and no sustained objective. What it is about (power, defiance, art, love, abuse, grief, rape, war, beauty, and so on) is as changeable as the beings that inhabit its pages. The sustained thread is power and how it transforms us, both those of us who have it and those of us who do not. For those who are brutalized and traumatized, transformation is often the outward manifestation of their trauma. A beautiful virgin is caught in the gaze of someone more powerful who rapes or tries to rape them, and they ultimately are turned into a tree or a lake or a stone or a bird. The victim's objectification is They are first a visual object, then a sexual object, and finally simply an object. Around 50 of the epic's tales involve rape or attempted rape of women. Past translations have obscured or mitigated Ovid's language so that rape appears to be consensual sex. Through her translation, McCarter considers the responsibility of handling sexual and social dynamics.

Then why continue to read Ovid? McCarter proposes Ovid should be read because he gives us stories through which we can better explore ourselves and our world, and he illuminates problems that humans have been grappling with for millennia. Careful translation of rape and the body allows readers to see Ovid's nuances clearly and to better appreciate how ideas about sexuality, beauty, and gender are constructed over time. This is especially important since so many of our own ideas about these phenomena are themselves undergoing rapid metamorphosis, and Ovid can help us see and understand this progression. The Metamorphoses holds up a kaleidoscopic lens to the modern world, one that offers us the opportunity to reflect on contemporary discussions about gender, sexuality, race, violence, art, and identity.

About this title

About the Author

Ovid (43 BCE–18 CE) was born at Sulmo (modern Sulmona) in central Italy. Coming from a wealthy Roman family and seemingly destined for a career in politics, he held minor official posts before leaving public service to write, becoming the most distinguished poet of his time. His works, all published by Penguin Classics, include Amores, a collection of short love poems; Heroides, verse-letters written by mythological heroines to their lovers; Ars Amatoria, a satirical handbook on love; and Metamorphoses, his epic work that has inspired countless writers and artists through the ages. 
 
David Raeburn (translator) is a lecturer in Classics at Oxford, and has also translated Sophocles’ Electra and Other Plays for Penguin Classics. 
 
Denis Feeney (introducer) is a professor of Classics at Princeton. 
 
Coralie Bickford-Smith (cover illustrator) is an award-winning designer at Penguin Books (U.K.), where she has created several highly acclaimed series designs. She studied typography at Reading University and lives in London.

Review

Metamorphoses -- The title of Ovid's most famous work, Metamorphoses, means "changes of shapes." He tells the reader at the very beginning, "My purpose is to tell of bodies which have been transformed into shapes of different kinds." Using a new translation of the work by Ian Johnston, Naxos AudioBooks has issued a 14-CD complete reading that is quite frankly stunning. The reader is British actor David Horovitch, who is best known as the sour Inspector Slack in the older Miss Marple series with Joan Hickson. It must be pointed out that Ovid was in deep trouble with Augustus, because many of Ovid's books displeased his Emperor who declared a family values campaign in Rome. So Ovid, knowing that Roman emperors believed they would be turned into stars (Julius Caesar) or gods (Caligula declared himself divine while still alive), patterned his newest book in such a way that man-into-god transformations seemed perfectly natural. To avoid monotony, Ovid is careful to vary the tone and length of one story after another. Characters in one story actually tell the story of another metamorphosis just before experiencing their own. He also treats his tales very dramatically, inventing dialogue so the myth reads like a drama. I was particularly impressed with the speech the God of the Sun, Phoebus, gives to his son Phaethon. Having promised him anything he wanted, Phoebus immediately regretted his unbreakable promise when Phaethon wanted to drive the Golden Chariot for a day. Ovid tells one rattling good yarn after another. While following without a written text, the listener might lose his way as to what character is now playing the lead, so to speak; but Horovitch's acting skills keep in synch with Ovid's moods and pacing, and hearing this Naxos set is quite a riveting experience. The total playing time is 17:32 hours. The tracking list must be downloaded from a website given on the back of the jewel case. Mine came to 11 pages. --Frank Behrens - BRATTLEBORO REFORMER

Edition details

• Publisher: Signet
• Publication date: 1960
• Language: English
• ISBN 10: 0451622170
• ISBN 13: 9780451622174
• Binding: Mass Market Paperback
• Number of pages: 448