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Prospects, Thresholds and Interiors: Watercolours from the National Collection at the Victoria and Albert Museum - Softcover

 
9780521449274: Prospects, Thresholds and Interiors: Watercolours from the National Collection at the Victoria and Albert Museum

Synopsis

This catalog accompanies an exhibition of watercolors from the National Collection at the Victoria and Albert Museum. A selection of one hundred works are illustrated and discussed, ranging from the mid-eighteenth century to the mid-twentieth century and showing the wealth and variety of this often neglected sphere of British painting. Through a critical reading of the works, Johnson examines and challenges notions of the relations between painting and history, criticism and theory.

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Book Description

Ranging from the mid-eighteenth to the mid-twentieth century, a selection of one hundred water-colors are illustrated and discussed in a catalog accompanying a Museum exhibition that shows the wealth and variety of this often neglected sphere of British painting.

About the Author

The Victoria and Albert Museum is a museum ofthe decorative arts founded in 1852 to support and encourage excellence in art and design. The V&A is located in London, England.

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  • PublisherCambridge University Press
  • Publication date1994
  • ISBN 10 0521449278
  • ISBN 13 9780521449274
  • BindingPaperback
  • LanguageEnglish
  • Edition number1
  • Number of pages270

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Lewis Johnson
ISBN 10: 0521449278 ISBN 13: 9780521449274
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Paperback. Condition: Very Good. This catalogue accompanies an exhibition of watercolours from The National Collection of Watercolours at the Victoria and Albert Museum. In a study of paintings spanning some two hundred years, Lewis Johnson explores the familiar and the unfamiliar in one of the most apparently tradition-governed practices of painting. Taking as his starting point the formation of the Collection in the mid-nineteenth century, he examines contemporary claims for watercolour as a modern art, and shows how certain notions of the modern were interlinked with nationalist and imperialist culture in Britain. His analysis of traditional criticism's dependence on these ideas, and of its limitations in the face of the complexity of historical, social, political and philosophical questions raised by the paintings, makes this study a bold and timely contribution to the reappraisal of the history and theory of art in Britain. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR002449973

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Soft cover. Condition: Very Good. No Jacket. Cambridge University Press, 1994. Pictorial soft cover. Book condition : Very good to near fine. Appears little read. Superb illustrations, photographs. Bookplate inside cover. Heavy book may incur extra postage. Book will be sent by UK postal service. Inventory #JT022071. Seller Inventory # 022071

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Paperback. Condition: Fine. xvii, 250 pages, illustrated with colour plates. A Fine, clean copy. Seller Inventory # 068899

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Soft cover. Condition: Book VG ++. First Edition - Second Printing. xx+250 pages incl bibliography, excellent b/w reproductions within text & 16 colour plate pages to rear with plates both sides of paper. Pictorial laminated softback covers with very light/slight reading creases to spine which is a little concave due to use, slight wear to corners, slight usage marks to page-edges. Text is spotless. Very nice condition. Seller Inventory # 022505

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