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9780521633581: Shakespeare's Theory of Drama
Why did Shakespeare write drama? Did he have specific reasons for his choice of this art form? Did he have clearly defined aesthetic aims in what he wanted drama to do--and why? Kiernan opens a new area of debate in showing that Shakespeare rejected many of the theories of his age on poetry, history and art to create an original theory of drama. This lively, readable, but scholarly examination of works from different stages of the dramatist's career explores what Shakespeare wanted his drama to do and why.

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From the Back Cover:
Brian Gibbons presents the idea of multiplicity as a way of understanding the form and style of Shakespeare's plays: Composed of many different codes, woven together in a unique pattern for each play, rather than variations on the fixed notion of comedy or tragedy.
About the Author:
Pauline Kiernan taught at University College, Oxford.

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  • PublisherCambridge University Press
  • Publication date1998
  • ISBN 10 0521633583
  • ISBN 13 9780521633581
  • BindingPaperback
  • Number of pages232

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9780521550468: Shakespeare's Theory of Drama

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Publisher: Cambridge University Press, 1996
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Book Description Soft cover. Condition: As New. Dust Jacket Condition: As New. Keirnan, Pauline SHAKESPEARE'S THEORY OF DRAMA Cambridge, Massachusetts: Cambridge university press 1998 As New/As New 218pp. 8vo. Text is clean and clear and as new. The pages are clean and square. This piece is in excellent condition. Seller Inventory # 17790

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Book Description Paperback. Condition: Very Good. Why did Shakespeare write drama? Did he have specific reasons for his choice of this art form? Did he have clearly defined aesthetic aims in what he wanted drama to do - and why? Pauline Kiernan opens up a new area of debate for Shakespearean criticism in showing that a radical, complex defence of drama which challenged the Renaissance orthodox view of poetry, history and art can be traced in Shakespeare's plays and poems. This study, first published in 1996, examines different stages in the canon to show that far from being restricted by the 'limitations' of drama, Shakespeare consciously exploits its capacity to accommodate temporality and change, and its reliance on the physical presence of the actor. This lively, readable book offers an original and scholarly insight into what Shakespeare wanted his drama to do and why. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR003246923

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