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Synopsis
This second edition of Othello updates the first (Bristol Classical Press, 1987), both chronologically and conceptually. It considers productions of the last seventeen years, and reconsiders earlier material in the light of more recent critical attitudes. Post-colonial and feminist studies have had an impact on the way Othello is perceived and interpreted. Shakespeare himself has not escaped the charge of racism. Equally, the position of Desdemona has received more focused attention.
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Book Description
Post-colonial and feminist studies have impacted on the way Othello is perceived and interpreted. The question of blacked-up/black/colour-blind casting and the significance of white and/or black audiences in different political and racial contexts have become much more clearly articulated. In the process, Shakespeare himself has not escaped the charge of racism. First published by Bristol Classical Press in 1987, this second edition of Othello takes account of these developments in criticism, in the theatre, on film, and in the adaptations which set out to interrogate Shakespeare's text.
About the Author
Julie Hankey is a freelance writer, and is one of the General Editors of the 'Shakespeare in Production' series.
"About this title" may belong to another edition of this title.
- PublisherCambridge University Press
- Publication date2005
- ISBN 10 0521834589
- ISBN 13 9780521834582
- BindingHardcover
- Edition number2
- Number of pages330
- EditorHankey Julie
- Rating
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Gebunden. Condition: NEW. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This revised and expanded edition of Othello provides a detailed history of the play in production, both on stage and on screen. It takes account of recent developments in criticism, in the theatre, on film, and in the adaptations which set out to interroga. Seller Inventory # 446949565
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Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This second edition of Othello updates the first (Bristol Classical Press, 1987), both chronologically and conceptually. It includes consideration of productions from the last seventeen years, and reconsiders earlier material in the light of more recent critical attitudes. Post-colonial and feminist studies have had an impact on the way Othello is perceived and interpreted. The question of blacked-up/black/colour-blind casting and the significance of white and/or black audiences in different political and racial contexts have recently become much more clearly articulated. In the process, Shakespeare himself has not escaped the charge of racism. Equally, the position of Desdemona has received more focussed attention, both as the forbidden object of desire within a racial framework, and as a woman in her own right. This edition takes account of these developments in criticism, in the theatre, on film, and in the adaptations which set out to interrogate Shakespeare's text. Seller Inventory # 9780521834582
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